{"id":777,"date":"2022-10-18T13:07:16","date_gmt":"2022-10-18T11:07:16","guid":{"rendered":"https:\/\/cinerama.es\/?p=777"},"modified":"2022-10-18T13:07:16","modified_gmt":"2022-10-18T11:07:16","slug":"la-amenaza-en-la-sombra-de-agatha-christie-segun-kenneth-branagh","status":"publish","type":"post","link":"https:\/\/kind-gauss.54-72-4-134.plesk.page\/la-amenaza-en-la-sombra-de-agatha-christie-segun-kenneth-branagh\/","title":{"rendered":"La amenaza en la sombra de Agatha Christie seg\u00fan Kenneth Branagh"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">En una escena de <em>Belfast<\/em>, la familia protagonista acude al cine a ver <em>Chitty Chitty Bang Bang<\/em> (1968) y a continuaci\u00f3n, todav\u00eda con la pegadiza canci\u00f3n de la pel\u00edcula de fondo, se reparten en casa los regalos de Navidad. A Buddy, el ni\u00f1o alter ego del director Kenneth Branagh, le llega, entre otros, un modelo en miniatura del nuevo Aston Martin DB5 de James Bond (estamos en 1969, el a\u00f1o de <em>Al Servicio secreto de su Majestad)<\/em>. Otro de los regalos, suponemos que para la madre o el padre, es la novela <em>Hallowe\u2019en Party (Las manzanas)<\/em>, de Agatha Christie, la gran sensaci\u00f3n del momento pues se acababa de publicar (lo hizo en noviembre de 1969). Pues bien, el nuevo proyecto de Kenneth Branagh, que empez\u00f3 a preparar tras terminar <em>Belfast<\/em>, es precisamente la adaptaci\u00f3n al cine de ese libro.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00bfAgatha Christie en Venecia? La escritora no ambient\u00f3 ninguna de sus tramas criminales en la ciudad italiana, pero eso no importa porque la combinaci\u00f3n es irresistible, hasta el punto de que uno se pregunta: \u00bfpor qu\u00e9 no lo ha pensado nunca nadie? Pues ah\u00ed est\u00e1n Kenneth Branagh y el guionista Michael Green porque a ellos s\u00ed se les ha ocurrido. Lo veremos en <em>A Haunting in Venice<\/em>, la tercera pel\u00edcula de ambos basada en una novela de Christie, tras <em>Asesinato en el Orient Express<\/em> (2017) y <em>Muerte en el Nilo<\/em> (2022).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">La novela <em>Hallowe\u2019en Party (Las Manzanas)<\/em> transcurre en un ficticio pueblo ingl\u00e9s llamado Woodleigh Common, cerca de Londres. All\u00ed pasa unos d\u00edas Ariadne Oliver, personaje recurrente en la obra de Christie, una especie de alter ego de la autora porque tambi\u00e9n es escritora de novelas de misterio. Ariadne se cruza de vez en cuando con su amigo Hercule Poirot para ayudarle en sus casos. As\u00ed que cuando una ni\u00f1a es asesinada en Woodleigh Common, ella le pide a Poirot que vaya all\u00ed y resuelva el caso. En la adaptaci\u00f3n de Michael Green la cosa se pone m\u00e1s inquietante porque ya no estamos en ese id\u00edlico pueblo ingl\u00e9s, ahora la trama se traslada a los sombr\u00edos canales de Venecia. \u00bfUna ni\u00f1a muerta y Venecia? Esperemos que Branagh haya visto <em>Don\u2019t Look Now (Amenaza en la sombra<\/em>) (1973) y siga los pasos de Daphne Du Maurier y Nicolas Roeg. En 20th Century Studios (propiedad de Disney) ya hablan de \u201cthriller sobrenatural\u201d y sesiones de espiritismo en un palacio maldito (\u00bfser\u00e1 el real y tristemente famoso Ca\u2019Dario?), as\u00ed que el asunto pinta bien.<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"881\" height=\"1024\" data-id=\"780\" src=\"https:\/\/cinerama.es\/wp-content\/uploads\/2022\/10\/225-CaDario-881x1024.jpg\" alt=\"\" class=\"wp-image-780\" srcset=\"https:\/\/cinerama.es\/wp-content\/uploads\/2022\/10\/225-CaDario-881x1024.jpg 881w, https:\/\/cinerama.es\/wp-content\/uploads\/2022\/10\/225-CaDario-258x300.jpg 258w, https:\/\/cinerama.es\/wp-content\/uploads\/2022\/10\/225-CaDario-768x893.jpg 768w, https:\/\/cinerama.es\/wp-content\/uploads\/2022\/10\/225-CaDario-1322x1536.jpg 1322w, https:\/\/cinerama.es\/wp-content\/uploads\/2022\/10\/225-CaDario-391x454.jpg 391w, https:\/\/cinerama.es\/wp-content\/uploads\/2022\/10\/225-CaDario.jpg 1616w\" sizes=\"auto, (max-width: 881px) 100vw, 881px\" \/><figcaption class=\"wp-element-caption\">Ca&#8217;Dario, la casa maldita que existe en realidad y que podr\u00eda ser el escenario de la pel\u00edcula<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Janet Morgan, en su biograf\u00eda de la escritora, apunta que la novela es \u201cconfusa porque presenta en ella demasiados temas. Por ese motivo es tambi\u00e9n, como lo es toda su producci\u00f3n tard\u00eda, una obra notable por la destreza de su ejecuci\u00f3n\u201d. Tiene raz\u00f3n Morgan cuando, a prop\u00f3sito de esta obra y de otras como<em> La casa torcida<\/em> o<em> El truco de los espejos<\/em>, asegura que a Christie siempre le ha interesado la capacidad de los ni\u00f1os para el mal. En noviembre de 1969, la escritora le envi\u00f3 un ejemplar de su nuevo libro a su amigo Lord Mountbatten acompa\u00f1ado de una nota donde le dec\u00eda que \u201c<em>Las manzanas<\/em> no es tan bueno como <em>Roger Ackroyd<\/em> aunque no est\u00e1 mal del todo\u201d.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Branagh ser\u00e1 nuevamente Poirot y el propio cineasta nos resuelve algunas dudas, pero no todas: \u00abLa pel\u00edcula est\u00e1 basada en una historia de misterio compleja y poco conocida de Agatha Christie, ambientada en Halloween. Adem\u00e1s, nos muestra un desarrollo realmente interesante del personaje de Hercule Poirot. Todo eso nos ofrece una oportunidad incre\u00edble para nosotros, como cineastas, de ofrecer algo verdaderamente escalofriante\u201d.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"904\" src=\"https:\/\/cinerama.es\/wp-content\/uploads\/2022\/10\/225-A-Haunting-in-Venice.jpg\" alt=\"\" class=\"wp-image-781\" srcset=\"https:\/\/cinerama.es\/wp-content\/uploads\/2022\/10\/225-A-Haunting-in-Venice.jpg 600w, https:\/\/cinerama.es\/wp-content\/uploads\/2022\/10\/225-A-Haunting-in-Venice-199x300.jpg 199w, https:\/\/cinerama.es\/wp-content\/uploads\/2022\/10\/225-A-Haunting-in-Venice-301x454.jpg 301w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">La inglesa Kelly Reilly <em>(True Detective),<\/em> Michelle Yeoh (sorprendente en la revelaci\u00f3n de la temporada, <em>Todo a la vez en todas partes)<\/em>, Jamie Dornan (que repite con el director tras <em>Belfast<\/em>, que tantas alegr\u00edas le dio al que fuera Christian Grey), Tina Fey (que abandona su terreno natural, la comedia), Kyle Allen (joven bailar\u00edn y actor visto en <em>West Side Story),<\/em> el italiano Riccardo Scamarcio, la francesa Camille Cottin (excelente junto a Matt Damon en <em>Stillwater<\/em>) y Jude Hill, que debut\u00f3 en <em>Belfast<\/em> (2021) interpretando al ni\u00f1o protagonista, completan el reparto.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>En una escena de Belfast, la familia protagonista acude al cine a ver Chitty Chitty Bang Bang (1968) y a continuaci\u00f3n, todav\u00eda con la pegadiza canci\u00f3n de la\u2026<\/p>\n","protected":false},"author":3,"featured_media":778,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[11],"tags":[],"class_list":["post-777","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ver-para-creer"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.7 - 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