{"id":592,"date":"2022-10-14T12:30:11","date_gmt":"2022-10-14T10:30:11","guid":{"rendered":"https:\/\/cinerama.es\/?p=592"},"modified":"2022-10-14T12:30:11","modified_gmt":"2022-10-14T10:30:11","slug":"la-novela-que-desea-llevar-al-cine-oriol-paulo-y-no-podra-ser","status":"publish","type":"post","link":"https:\/\/kind-gauss.54-72-4-134.plesk.page\/?p=592","title":{"rendered":"La novela que desea llevar al cine Oriol Paulo y no podr\u00e1 ser"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Con s\u00f3lo cuatro pel\u00edculas y una serie ha conquistado al p\u00fablico: Oriol Paulo, Maestro del Suspense, y director de <em>El Cuerpo<\/em> (2012), o Bel\u00e9n Rueda y Jos\u00e9 Coronado en una angustiosa trama ambientada en una morgue; <em>Contratiempo<\/em> (2016), un perfecto mecanismo de suspense con Mario Casas y B\u00e1rbara Lennie y un final inolvidable; <em>Durante la tormenta<\/em> (2018), con Adriana Ugarte en un misterio de viajes en el tiempo donde todas las piezas encajan; <em>El Inocente<\/em> (2021), la serie de TV con Mario Casas enredado en un misterio sin fin, y<em> Los renglones torcidos de Dios<\/em> (2022), la adaptaci\u00f3n al cine de la inquietante novela de Torcuato Luca de Tena publicada en 1979. Adem\u00e1s, el director es todo un fen\u00f3meno en China. <em>Contratiempo<\/em> recaud\u00f3 all\u00ed m\u00e1s de 20 millones de euros y <em>Durante la tormenta<\/em> repiti\u00f3 la haza\u00f1a. Se puede decir que Oriol Paulo ya est\u00e1 en la primera divisi\u00f3n, pero no se puede tener todo. Despu\u00e9s de <em>Los renglones torcidos de Dios<\/em>, un proyecto de encargo que hizo suyo, Oriol so\u00f1aba con llevar al cine otra novela fascinante. \u00abLa novela que me encantar\u00eda adaptar, y es imposible porque ya est\u00e1n haciendo una serie, es <em>Las siete muertes de Evelyn Hardcastle<\/em>, que es alucinante. La le\u00ed y dije: \u201cesta es para m\u00ed\u201d, pero no pudo\u00a0\u00a0ser\u00bb. Efectivamente, en diciembre de 2020 Netflix anunci\u00f3 que hab\u00eda comprado los derechos para hacer una serie de siete cap\u00edtulos.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Por las rese\u00f1as publicadas, el material no puede ser m\u00e1s de Oriol Paulo. La cr\u00edtica habla de una mezcla de Agatha Christie <em>(Testigo de cargo<\/em> estaba muy presente en<em> Contratiempo), Groundhog Day (Atrapado en el tiempo) (<\/em>1993), <em>Inception (Origen)<\/em> (2010) (el juego con el pasado, presente y futuro que mov\u00eda el mecanismo de <em>Durante la tormenta)<\/em> y la serie <em>Black Mirror.\u00a0<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Las siete muertes de Evelyn Hardcastle<\/em>, primera novela del ingl\u00e9s Stuart Turton, arranca con una joven asesinada que acaba de celebrar una fiesta para anunciar su compromiso. Aiden Bishop, uno de los invitados, se propone resolver el crimen. Como en \u201cel d\u00eda de la marmota\u201d, todo se repite una y otra vez, siempre con el mismo triste final: la muerte de la chica. La \u00fanica forma de romper este bucle es identificar al asesino. Pero cada vez que el d\u00eda comienza de nuevo, Aiden se despierta en el cuerpo de un invitado distinto.\u00a0<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Las tres primeras pel\u00edculas de Oriol Paulo fueron guiones originales. El inocente part\u00eda de una novela del escritor estadounidense Harlan Coben.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Con s\u00f3lo cuatro pel\u00edculas y una serie ha conquistado al p\u00fablico: Oriol Paulo, Maestro del Suspense, y director de El Cuerpo (2012), o Bel\u00e9n Rueda y Jos\u00e9 Coronado\u2026<\/p>\n","protected":false},"author":3,"featured_media":644,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[11],"tags":[],"class_list":["post-592","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ver-para-creer"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>La novela que desea llevar al cine Oriol Paulo y no podr\u00e1 ser - Cinerama (desarrollo)<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"La novela que desea llevar al cine Oriol Paulo y no podr\u00e1 ser - Cinerama (desarrollo)\" \/>\n<meta property=\"og:description\" content=\"Con s\u00f3lo cuatro pel\u00edculas y una serie ha conquistado al p\u00fablico: Oriol Paulo, Maestro del Suspense, y director de El Cuerpo (2012), o Bel\u00e9n Rueda y Jos\u00e9 Coronado\u2026\" \/>\n<meta property=\"og:url\" content=\"https:\/\/kind-gauss.54-72-4-134.plesk.page\/?p=592\" \/>\n<meta property=\"og:site_name\" content=\"Cinerama (desarrollo)\" \/>\n<meta property=\"article:published_time\" content=\"2022-10-14T10:30:11+00:00\" \/>\n<meta name=\"author\" content=\"Alfonso As\u00faa\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"Alfonso As\u00faa\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/kind-gauss.54-72-4-134.plesk.page\\\/?p=592#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/kind-gauss.54-72-4-134.plesk.page\\\/?p=592\"},\"author\":{\"name\":\"Alfonso As\u00faa\",\"@id\":\"https:\\\/\\\/kind-gauss.54-72-4-134.plesk.page\\\/#\\\/schema\\\/person\\\/79fb5b596d92657075d42dbe34ce68e1\"},\"headline\":\"La novela que desea llevar al cine Oriol Paulo y no podr\u00e1 ser\",\"datePublished\":\"2022-10-14T10:30:11+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/kind-gauss.54-72-4-134.plesk.page\\\/?p=592\"},\"wordCount\":438,\"image\":{\"@id\":\"https:\\\/\\\/kind-gauss.54-72-4-134.plesk.page\\\/?p=592#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/cinerama.es\\\/wp-content\\\/uploads\\\/2022\\\/10\\\/dztu8djx0aafa0r.jpg\",\"articleSection\":[\"Ver para creer\"],\"inLanguage\":\"es\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/kind-gauss.54-72-4-134.plesk.page\\\/?p=592\",\"url\":\"https:\\\/\\\/kind-gauss.54-72-4-134.plesk.page\\\/?p=592\",\"name\":\"La novela que desea llevar al cine Oriol Paulo y no podr\u00e1 ser - Cinerama (desarrollo)\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/kind-gauss.54-72-4-134.plesk.page\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/kind-gauss.54-72-4-134.plesk.page\\\/?p=592#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/kind-gauss.54-72-4-134.plesk.page\\\/?p=592#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/cinerama.es\\\/wp-content\\\/uploads\\\/2022\\\/10\\\/dztu8djx0aafa0r.jpg\",\"datePublished\":\"2022-10-14T10:30:11+00:00\",\"author\":{\"@id\":\"https:\\\/\\\/kind-gauss.54-72-4-134.plesk.page\\\/#\\\/schema\\\/person\\\/79fb5b596d92657075d42dbe34ce68e1\"},\"breadcrumb\":{\"@id\":\"https:\\\/\\\/kind-gauss.54-72-4-134.plesk.page\\\/?p=592#breadcrumb\"},\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/kind-gauss.54-72-4-134.plesk.page\\\/?p=592\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/kind-gauss.54-72-4-134.plesk.page\\\/?p=592#primaryimage\",\"url\":\"https:\\\/\\\/cinerama.es\\\/wp-content\\\/uploads\\\/2022\\\/10\\\/dztu8djx0aafa0r.jpg\",\"contentUrl\":\"https:\\\/\\\/cinerama.es\\\/wp-content\\\/uploads\\\/2022\\\/10\\\/dztu8djx0aafa0r.jpg\",\"width\":779,\"height\":448},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/kind-gauss.54-72-4-134.plesk.page\\\/?p=592#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Inicio\",\"item\":\"https:\\\/\\\/kind-gauss.54-72-4-134.plesk.page\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"La novela que desea llevar al cine Oriol Paulo y no podr\u00e1 ser\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/kind-gauss.54-72-4-134.plesk.page\\\/#website\",\"url\":\"https:\\\/\\\/kind-gauss.54-72-4-134.plesk.page\\\/\",\"name\":\"Cinerama (desarrollo)\",\"description\":\"\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/kind-gauss.54-72-4-134.plesk.page\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"es\"},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/kind-gauss.54-72-4-134.plesk.page\\\/#\\\/schema\\\/person\\\/79fb5b596d92657075d42dbe34ce68e1\",\"name\":\"Alfonso As\u00faa\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/afb22188220627c2f3251db7c853bccda72a2322d9c63b3a1c8e862ab2d68288?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/afb22188220627c2f3251db7c853bccda72a2322d9c63b3a1c8e862ab2d68288?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/afb22188220627c2f3251db7c853bccda72a2322d9c63b3a1c8e862ab2d68288?s=96&d=mm&r=g\",\"caption\":\"Alfonso As\u00faa\"},\"url\":\"https:\\\/\\\/kind-gauss.54-72-4-134.plesk.page\\\/?author=3\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"La novela que desea llevar al cine Oriol Paulo y no podr\u00e1 ser - Cinerama (desarrollo)","robots":{"index":"noindex","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"og_locale":"es_ES","og_type":"article","og_title":"La novela que desea llevar al cine Oriol Paulo y no podr\u00e1 ser - Cinerama (desarrollo)","og_description":"Con s\u00f3lo cuatro pel\u00edculas y una serie ha conquistado al p\u00fablico: Oriol Paulo, Maestro del Suspense, y director de El Cuerpo (2012), o Bel\u00e9n Rueda y Jos\u00e9 Coronado\u2026","og_url":"https:\/\/kind-gauss.54-72-4-134.plesk.page\/?p=592","og_site_name":"Cinerama (desarrollo)","article_published_time":"2022-10-14T10:30:11+00:00","author":"Alfonso As\u00faa","twitter_card":"summary_large_image","twitter_misc":{"Escrito por":"Alfonso As\u00faa","Tiempo de lectura":"2 minutos"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/kind-gauss.54-72-4-134.plesk.page\/?p=592#article","isPartOf":{"@id":"https:\/\/kind-gauss.54-72-4-134.plesk.page\/?p=592"},"author":{"name":"Alfonso As\u00faa","@id":"https:\/\/kind-gauss.54-72-4-134.plesk.page\/#\/schema\/person\/79fb5b596d92657075d42dbe34ce68e1"},"headline":"La novela que desea llevar al cine Oriol Paulo y no podr\u00e1 ser","datePublished":"2022-10-14T10:30:11+00:00","mainEntityOfPage":{"@id":"https:\/\/kind-gauss.54-72-4-134.plesk.page\/?p=592"},"wordCount":438,"image":{"@id":"https:\/\/kind-gauss.54-72-4-134.plesk.page\/?p=592#primaryimage"},"thumbnailUrl":"https:\/\/cinerama.es\/wp-content\/uploads\/2022\/10\/dztu8djx0aafa0r.jpg","articleSection":["Ver para creer"],"inLanguage":"es"},{"@type":"WebPage","@id":"https:\/\/kind-gauss.54-72-4-134.plesk.page\/?p=592","url":"https:\/\/kind-gauss.54-72-4-134.plesk.page\/?p=592","name":"La novela que desea llevar al cine Oriol Paulo y no podr\u00e1 ser - Cinerama (desarrollo)","isPartOf":{"@id":"https:\/\/kind-gauss.54-72-4-134.plesk.page\/#website"},"primaryImageOfPage":{"@id":"https:\/\/kind-gauss.54-72-4-134.plesk.page\/?p=592#primaryimage"},"image":{"@id":"https:\/\/kind-gauss.54-72-4-134.plesk.page\/?p=592#primaryimage"},"thumbnailUrl":"https:\/\/cinerama.es\/wp-content\/uploads\/2022\/10\/dztu8djx0aafa0r.jpg","datePublished":"2022-10-14T10:30:11+00:00","author":{"@id":"https:\/\/kind-gauss.54-72-4-134.plesk.page\/#\/schema\/person\/79fb5b596d92657075d42dbe34ce68e1"},"breadcrumb":{"@id":"https:\/\/kind-gauss.54-72-4-134.plesk.page\/?p=592#breadcrumb"},"inLanguage":"es","potentialAction":[{"@type":"ReadAction","target":["https:\/\/kind-gauss.54-72-4-134.plesk.page\/?p=592"]}]},{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/kind-gauss.54-72-4-134.plesk.page\/?p=592#primaryimage","url":"https:\/\/cinerama.es\/wp-content\/uploads\/2022\/10\/dztu8djx0aafa0r.jpg","contentUrl":"https:\/\/cinerama.es\/wp-content\/uploads\/2022\/10\/dztu8djx0aafa0r.jpg","width":779,"height":448},{"@type":"BreadcrumbList","@id":"https:\/\/kind-gauss.54-72-4-134.plesk.page\/?p=592#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Inicio","item":"https:\/\/kind-gauss.54-72-4-134.plesk.page\/"},{"@type":"ListItem","position":2,"name":"La novela que desea llevar al cine Oriol Paulo y no podr\u00e1 ser"}]},{"@type":"WebSite","@id":"https:\/\/kind-gauss.54-72-4-134.plesk.page\/#website","url":"https:\/\/kind-gauss.54-72-4-134.plesk.page\/","name":"Cinerama (desarrollo)","description":"","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/kind-gauss.54-72-4-134.plesk.page\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"es"},{"@type":"Person","@id":"https:\/\/kind-gauss.54-72-4-134.plesk.page\/#\/schema\/person\/79fb5b596d92657075d42dbe34ce68e1","name":"Alfonso As\u00faa","image":{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/secure.gravatar.com\/avatar\/afb22188220627c2f3251db7c853bccda72a2322d9c63b3a1c8e862ab2d68288?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/afb22188220627c2f3251db7c853bccda72a2322d9c63b3a1c8e862ab2d68288?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/afb22188220627c2f3251db7c853bccda72a2322d9c63b3a1c8e862ab2d68288?s=96&d=mm&r=g","caption":"Alfonso As\u00faa"},"url":"https:\/\/kind-gauss.54-72-4-134.plesk.page\/?author=3"}]}},"_links":{"self":[{"href":"https:\/\/kind-gauss.54-72-4-134.plesk.page\/index.php?rest_route=\/wp\/v2\/posts\/592","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kind-gauss.54-72-4-134.plesk.page\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kind-gauss.54-72-4-134.plesk.page\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kind-gauss.54-72-4-134.plesk.page\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/kind-gauss.54-72-4-134.plesk.page\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=592"}],"version-history":[{"count":0,"href":"https:\/\/kind-gauss.54-72-4-134.plesk.page\/index.php?rest_route=\/wp\/v2\/posts\/592\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kind-gauss.54-72-4-134.plesk.page\/index.php?rest_route=\/wp\/v2\/media\/644"}],"wp:attachment":[{"href":"https:\/\/kind-gauss.54-72-4-134.plesk.page\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=592"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kind-gauss.54-72-4-134.plesk.page\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=592"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kind-gauss.54-72-4-134.plesk.page\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=592"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}