{"id":589,"date":"2022-10-14T11:54:46","date_gmt":"2022-10-14T09:54:46","guid":{"rendered":"https:\/\/cinerama.es\/?p=589"},"modified":"2022-10-14T11:54:46","modified_gmt":"2022-10-14T09:54:46","slug":"a-vueltas-con-halloween-y-michael-myers","status":"publish","type":"post","link":"https:\/\/kind-gauss.54-72-4-134.plesk.page\/?p=589","title":{"rendered":"A vueltas con Halloween y Michael Myers"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Ahora que ha finalizado la saga <em>Halloween<\/em>, o por lo menos la protagonizada por Jamie Lee Curtis, es un buen momento para contar el origen del mito. Al \u201cabuelo\u201d de Michael Myers hay que buscarlo en el saco m\u00e1s independiente y raro del cine de la d\u00e9cada de 1970. Es el asesino que acecha a una ni\u00f1era en <em>Foster\u2019s Release<\/em> (1971), un corto de 15 minutos dirigido por Terrence Winkless. Una conocida leyenda urbana que tambi\u00e9n utiliz\u00f3 Fred Walton para <em>Llama un extra\u00f1o<\/em> (1979), pero que no hizo nada por la carrera como cineasta de Winkless. Ten\u00eda talento, pero no suerte, as\u00ed que abandon\u00f3 el cine con el honor de haber rodado esos 15 minutos, considerados la Piedra de Rosetta del terror moderno. \u00c9l mismo lo reconoci\u00f3 cuando se estren\u00f3 <em>Halloween<\/em> (1978): \u00abFue listo. Yo era demasiado purista para convertir Foster\u2019s Release en una gran producci\u00f3n\u00bb. El listo al que se refiere es John Carpenter, nacido en Nueva York en 1948 y mucho m\u00e1s ambicioso que Winkless.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">A Carpenter tambi\u00e9n le gustaba <em>Black Christmas<\/em> (1974), terror en una fraternidad femenina y un hombre que entra en la casa a trav\u00e9s de la ventana del \u00e1tico. El director de esa pel\u00edcula, Bob Clark, dej\u00f3 caer muchas ideas (atrapan al asesino, lo meten en un centro psiqui\u00e1trico, se escapa y vuelve el d\u00eda de Halloween) para una posible secuela de <em>Black Christmas<\/em> que nunca se hizo y que Carpenter caz\u00f3 encantado. Esta pel\u00edcula es la \u201ct\u00eda\u201d de <em>Halloween<\/em>.\u00a0<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00bfY el padre? Pues el propio Carpenter y su guion de 1971 <em>Hillbillies from Hell<\/em>, una especie de <em>Km. 666 (Wrong Turn) <\/em>(2003), con familia de can\u00edbales en el campo. En esa historia destacaba un gigante con m\u00e1scara que persigue a sus v\u00edctimas con un cuchillo. Un personaje que, desarrollado, se convertir\u00eda en Michael Myers.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">El guion de <em>Halloween<\/em> escrito por Carpenter junto a su novia de entonces, Debra Hill, era todo un homenaje a <em>Psicosis<\/em> (1960), salvo por la escena final donde Hitchcock nos ofrece una larga explicaci\u00f3n. Para el cine de terror moderno, con <em>Halloween<\/em> a la cabeza, la clave est\u00e1 en la ausencia de motivos. \u00abLas respuestas simples tranquilizan al espectador y eso es lo que no queremos\u00bb, parece ser el lema desde entonces (una m\u00e1xima llevada al extremo en la estupenda <em>Los extra\u00f1os<\/em>, 2008).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">En <em>Halloween<\/em> tenemos a una ni\u00f1era, un barrio residencial, la m\u00fasica, compuesta por el propio director, y un asesino que nunca sabemos por qu\u00e9 mata.\u00a0\u00a0\u00abExplicar es estropear una buena historia. Aqu\u00ed nos enfrentamos a algo que es el mal en estado puro. Eliminamos los datos personales, los detalles. Y eso era algo que yo no hab\u00eda visto nunca\u00bb, cuenta Carpenter. No hay nada que d\u00e9 m\u00e1s miedo que aquello que no entendemos. O como dice Denis Villeneuve: \u00abUna ara\u00f1a inm\u00f3vil asusta m\u00e1s que una en movimiento\u00bb. Y Michael Myers siempre inm\u00f3vil se limita a ladear la cabeza, un recurso que Carpenter sac\u00f3 de los fantasmas de <em>Suspense<\/em> (1961).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">El resultado fue una pel\u00edcula que, de alguna manera, cambi\u00f3 muchas cosas en el cine. Como dice el escritor Jason Zinoman, \u00ab<em>Halloween<\/em> cogi\u00f3 desprevenido a todo el mundo\u2026 Fue el principio de una tendencia art\u00edstica y el final de un modelo de negocio\u2026 pero su aut\u00e9ntico logro fue c\u00f3mo Carpenter hac\u00eda que pareciese que lo \u00fanico que se necesitaba para hacer una gran pel\u00edcula de terror era una chica, un asesino de gran tama\u00f1o y un cuchillo. Los estudios vieron que una pel\u00edcula hecha con cuatro cuartos pod\u00eda recaudar casi cien millones de d\u00f3lares. Y quisieron apuntarse\u00bb.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ahora que ha finalizado la saga Halloween, o por lo menos la protagonizada por Jamie Lee Curtis, es un buen momento para contar el origen del mito. Al\u2026<\/p>\n","protected":false},"author":3,"featured_media":652,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[11],"tags":[],"class_list":["post-589","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ver-para-creer"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>A vueltas con Halloween y Michael Myers - Cinerama (desarrollo)<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"A vueltas con Halloween y Michael Myers - Cinerama (desarrollo)\" \/>\n<meta property=\"og:description\" content=\"Ahora que ha finalizado la saga Halloween, o por lo menos la protagonizada por Jamie Lee Curtis, es un buen momento para contar el origen del mito. 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