{"id":27599,"date":"2026-10-13T13:41:34","date_gmt":"2026-10-13T11:41:34","guid":{"rendered":"https:\/\/cinerama.es\/?p=27599"},"modified":"2026-10-13T13:41:34","modified_gmt":"2026-10-13T11:41:34","slug":"entre-cifras-anda-el-juego-spider-man-brand-new-day-a-backrooms-pasando-por-digger-y-la-bola-negra","status":"publish","type":"post","link":"https:\/\/kind-gauss.54-72-4-134.plesk.page\/entre-cifras-anda-el-juego-spider-man-brand-new-day-a-backrooms-pasando-por-digger-y-la-bola-negra\/","title":{"rendered":"Entre cifras anda el juego: De Spider-Man: Brand New Day a Backrooms, pasando por Digger y La bola negra"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><strong>Spider-Man: Brand New Day<\/strong> (2026) es la pel\u00edcula m\u00e1s taquillera de la historia en la taquilla de Estados Unidos. Los siguientes puestos los ocupan: <strong>Star Wars: Episodio VII. El Despertar de la Fuerza<\/strong> (2015) (2), <strong>Vengadores: Endgame <\/strong>(2019) (3), <strong>Spider-Man: No way Home<\/strong> (2021) (4) y <strong>Avatar <\/strong>(2009) (5).<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"691\" height=\"1024\" src=\"https:\/\/cinerama.es\/wp-content\/uploads\/2026\/10\/spiderman_brand_new_day_xlg-691x1024.jpg\" alt=\"\" class=\"wp-image-27600\" srcset=\"https:\/\/cinerama.es\/wp-content\/uploads\/2026\/10\/spiderman_brand_new_day_xlg-691x1024.jpg 691w, https:\/\/cinerama.es\/wp-content\/uploads\/2026\/10\/spiderman_brand_new_day_xlg-202x300.jpg 202w, https:\/\/cinerama.es\/wp-content\/uploads\/2026\/10\/spiderman_brand_new_day_xlg-768x1138.jpg 768w, https:\/\/cinerama.es\/wp-content\/uploads\/2026\/10\/spiderman_brand_new_day_xlg-306x454.jpg 306w, https:\/\/cinerama.es\/wp-content\/uploads\/2026\/10\/spiderman_brand_new_day_xlg.jpg 1012w\" sizes=\"auto, (max-width: 691px) 100vw, 691px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">En el mundo, las cosas cambian porque gracias a su reciente reestreno en salas, <strong>Vengadores: Endgame <\/strong>(2019) se ha convertido en la pel\u00edcula m\u00e1s taquillera de la historia, desbancando a la hasta ahora inamovible <strong>Avatar <\/strong>(2009).\u00a0<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">En el lado opuesto, tenemos el caso de <strong>Digger<\/strong>, que, con un presupuesto de 125 millones de d\u00f3lares, est\u00e1 a poco de hacer historia y convertirse en uno de los fracasos m\u00e1s sonados de Hollywood. La pel\u00edcula no ha llegado en la taquilla mundial a los 40 millones de recaudaci\u00f3n y muchos ya la comparan con otros desastres como <strong>La puerta del cielo (Heaven&#8217;s Gate)<\/strong> (1980), de<strong> Michael Cimino<\/strong>, que es la pel\u00edcula que siempre se cita en estos casos porque estuvo a punto de llevar a la quiebra a <strong>United Artists.<\/strong><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"674\" height=\"1024\" src=\"https:\/\/cinerama.es\/wp-content\/uploads\/2026\/10\/heavens_gate_ver3_xlg-674x1024.jpg\" alt=\"\" class=\"wp-image-27601\" srcset=\"https:\/\/cinerama.es\/wp-content\/uploads\/2026\/10\/heavens_gate_ver3_xlg-674x1024.jpg 674w, https:\/\/cinerama.es\/wp-content\/uploads\/2026\/10\/heavens_gate_ver3_xlg-198x300.jpg 198w, https:\/\/cinerama.es\/wp-content\/uploads\/2026\/10\/heavens_gate_ver3_xlg-768x1166.jpg 768w, https:\/\/cinerama.es\/wp-content\/uploads\/2026\/10\/heavens_gate_ver3_xlg-299x454.jpg 299w, https:\/\/cinerama.es\/wp-content\/uploads\/2026\/10\/heavens_gate_ver3_xlg.jpg 988w\" sizes=\"auto, (max-width: 674px) 100vw, 674px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">Es lo que pasa cuando dejas v\u00eda libre y muchos millones a cineastas que porque se lo han dicho muchas veces (a veces con raz\u00f3n) se creen genios. Le pas\u00f3 a Cimino, que ven\u00eda de triunfar en los Oscar con<strong> El cazador (The Deer Hunter)<\/strong> (1978) y le ha pasado a <strong>Alejandro G. I\u00f1\u00e1rritu<\/strong>. El director mexicano con dos Oscar consecutivos ha dicho que tuvo una idea, ni siquiera era guion, solo una obsesi\u00f3n incesante y recurrente \u201cque ha perdurado durante todos estos a\u00f1os. Sab\u00eda qui\u00e9n era este personaje. Sab\u00eda c\u00f3mo hablaba, c\u00f3mo viv\u00eda, pero tard\u00e9 10 a\u00f1os en hacer la pel\u00edcula, porque no buscaba una historia. Estaba buscando la forma correcta de decirlo\u201d.\u00a0<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Lo contrario es lo que ha pasado con <strong>La bola negra. <\/strong>Sus directores empezaron con una obra de teatro titulada <strong>La Llamada <\/strong>con <strong>15 espectadores<\/strong> en sus primeras representaciones y cierran un ciclo en sus carreras y en sus vidas personales con un bombazo en la taquilla que supera los <strong>3 millones de espectadores<\/strong> y los<strong> 23 millones de euros<\/strong> (cifras del 13 de octubre) convirti\u00e9ndose en una de las diez pel\u00edculas m\u00e1s taquilleras de la historia de nuestro cine. Est\u00e1 en el puesto 8, pero superar\u00e1 seguro a la s\u00e9ptima (<strong>El orfanato,<\/strong> que acumula 25 millones) y a la octava (<strong>Un monstruo viene a verme<\/strong>, que ingres\u00f3 26).<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"692\" height=\"1024\" src=\"https:\/\/cinerama.es\/wp-content\/uploads\/2026\/10\/backrooms_ver2_xlg-692x1024.jpg\" alt=\"\" class=\"wp-image-27602\" srcset=\"https:\/\/cinerama.es\/wp-content\/uploads\/2026\/10\/backrooms_ver2_xlg-692x1024.jpg 692w, https:\/\/cinerama.es\/wp-content\/uploads\/2026\/10\/backrooms_ver2_xlg-203x300.jpg 203w, https:\/\/cinerama.es\/wp-content\/uploads\/2026\/10\/backrooms_ver2_xlg-768x1137.jpg 768w, https:\/\/cinerama.es\/wp-content\/uploads\/2026\/10\/backrooms_ver2_xlg-307x454.jpg 307w, https:\/\/cinerama.es\/wp-content\/uploads\/2026\/10\/backrooms_ver2_xlg.jpg 1013w\" sizes=\"auto, (max-width: 692px) 100vw, 692px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">Filmin estrena <strong>Backrooms<\/strong>, una de las pel\u00edculas sorpresa de este 2026. Es la pel\u00edcula m\u00e1s taquillera del estudio <strong>A24<\/strong>. Con un presupuesto de<strong> 10 millones <\/strong>recaud\u00f3 en el mundo m\u00e1s de <strong>400<\/strong>. Su director,<strong> Kane Parsons <\/strong>(2005) con 20 a\u00f1os en ese momento, puede presumir de ser la persona m\u00e1s joven en dirigir una pel\u00edcula que ha entrado en el puesto n\u00famero 1 de la taquilla estadounidense, superando el r\u00e9cord de <strong>John Singleton,<\/strong> que ten\u00eda 25 cuando present\u00f3<strong> Justicia Po\u00e9tica<\/strong> (1993).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Spider-Man: Brand New Day (2026) es la pel\u00edcula m\u00e1s taquillera de la historia en la taquilla de Estados Unidos. Los siguientes puestos los ocupan: Star Wars: Episodio VII.\u2026<\/p>\n","protected":false},"author":3,"featured_media":27603,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[9],"tags":[],"class_list":["post-27599","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sabias-que"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Entre cifras anda el juego: De Spider-Man: Brand New Day a Backrooms, pasando por Digger y La bola negra - Cinerama (desarrollo)<\/title>\n<meta name=\"description\" content=\"Spider-Man: Brand New Day a Backrooms, pasando por Digger y La bola negra. La puerta del cielo. 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