{"id":27556,"date":"2026-10-08T16:08:07","date_gmt":"2026-10-08T14:08:07","guid":{"rendered":"https:\/\/cinerama.es\/?p=27556"},"modified":"2026-10-08T16:08:07","modified_gmt":"2026-10-08T14:08:07","slug":"mark-zuckerberg-vuelve-al-cine-con-otro-rostro-pero-con-el-mismo-guionista","status":"publish","type":"post","link":"https:\/\/kind-gauss.54-72-4-134.plesk.page\/?p=27556","title":{"rendered":"Mark Zuckerberg vuelve al cine con otro rostro pero con el mismo guionista"},"content":{"rendered":"\n

El precio de la red (The Social Reckoning)<\/strong> es un buen complemento a La red social (The Social Network) <\/strong>(2010), el cl\u00e1sico moderno de David Fincher <\/strong>sobre c\u00f3mo un estudiante de Harvard llamado Mark Zuckerberg<\/strong> cre\u00f3 la red social llamada Facebook<\/strong>. Jesse Eisenberg<\/strong> fue un perfecto protagonista, y se llev\u00f3 una de las ocho nominaciones al Oscar que consigui\u00f3 la pel\u00edcula. Gan\u00f3 tres, banda sonora (Trent Reznor<\/strong>), montaje y guion para Aaron Sorkin<\/strong>.<\/p>\n\n\n

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Aaron Sorkin con sus dos protagonistas<\/strong><\/figcaption><\/figure>\n<\/div>\n\n\n

Este \u00faltimo dirige ahora esta especie de secuela, centrada en la historia de c\u00f3mo en 2021 la joven ingeniera de Facebook, Frances Haugen<\/strong>, con la ayuda de Jeff Horwitz<\/strong>, un reportero del Wall Street Journal, <\/strong>destap\u00f3 los secretos m\u00e1s oscuros de la red social. O en c\u00f3mo somos testigos de los minutos finales del periodismo impreso.<\/p>\n\n\n\n

Mikey Madison,<\/strong> en su primer largometraje tras ganar el Oscar por Anora <\/strong>(2024) interpreta a la joven valiente que desafi\u00f3 al gigante. Jeremy Allen White<\/strong> se pone en plan Dustin Hoffman<\/strong> en Todos los hombres del presidente<\/strong> (1976) para ser Jeff Horwitz, el periodista de investigaci\u00f3n enamorado de los musicales de Hollywood y Broadway, como Magnolia<\/strong>, \u201cla abuela del teatro musical\u201d, en sus propias palabras.<\/p>\n\n\n

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Mikey Madison en la premiere de la pel\u00edcula en Londres<\/strong><\/figcaption><\/figure>\n<\/div>\n\n\n

Con esos dos personajes adjudicados, faltaba el de Zuckerberg, lejos el chaval de La red social <\/strong>y ahora un tipo exc\u00e9ntrico y peculiar que puede presumir de haber fundado una empresa \u201cel doble de grande que el pa\u00eds m\u00e1s grande\u201d. Como es l\u00f3gico, el Sorkin guionista y director quer\u00eda a Jesse Eisenberg <\/strong>para que repitiera en una elecci\u00f3n de una l\u00f3gica aplastante. Pero el actor rechaz\u00f3 la oferta porque en primer lugar ya no le gustaba en lo que se hab\u00eda convertido Zuckerberg (la pel\u00edcula est\u00e1 ambientada 13 a\u00f1os despu\u00e9s de los acontecimientos de La red social<\/strong>). En segundo lugar, su agenda estaba m\u00e1s que apretada con su nueva y exitosa faceta como director (ah\u00ed est\u00e1n los \u00e9xitos de cr\u00edtica de A Real Pain<\/strong> y El debut<\/strong>). Y en tercer lugar, estaba harto de que le asociaran al empresario, con toda esa gente par\u00e1ndole en aeropuertos y centros comerciales para que firmara camisetas con la frase que hizo c\u00e9lebre La red social<\/strong> \u201cI\u2019m CEO, bitch\u201d. <\/p>\n\n\n

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\"\"<\/figure>\n<\/div>\n\n\n

As\u00ed que Sorkin busc\u00f3 un sustituto y lo encontr\u00f3 en Jeremy Strong, <\/strong>la estrella de Succession<\/strong> (2018-2023), nominado al Oscar como actor de reparto por su fant\u00e1stica interpretaci\u00f3n del inquietante abogado y asesor de Donald Trump<\/strong> en The Apprentice<\/strong> (2024).<\/p>\n\n\n\n

Con todo, lo mejor de El precio de la red (The Social Reckoning) <\/strong>es la escena con la que se abre la pel\u00edcula, un pr\u00f3logo que es una lecci\u00f3n de cine con una mujer medio borracha en el arc\u00e9n, su coche averiado y dos polic\u00edas que se detienen por si necesita ayuda. Inquietante y reveladora, un prodigio narrativo y una lecci\u00f3n de c\u00f3mo crear tensi\u00f3n con di\u00e1logo y m\u00fasica que hubiera aplaudido Alfred Hitchcock.<\/strong><\/p>\n\n\n

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Jeremy Strong, un perfecto Zuckerberg<\/strong><\/figcaption><\/figure>\n<\/div>\n\n\n

Jeremy Strong <\/strong>sab\u00eda que se enfrentaba a un reto enorme y se prepar\u00f3 a conciencia, empap\u00e1ndose de toda la informaci\u00f3n disponible sobre Zuckerberg, incluidos esos dos d\u00edas en los que tuvo que presentarse ante el Congreso de Estados Unidos, en casi nueve horas de audiencia, a ra\u00edz de lo que se llam\u00f3 Los Papeles de Facebook<\/strong> (en alusi\u00f3n a Los Papeles del Pent\u00e1gono, <\/strong>historia que relat\u00f3 en el cine Steven Spielberg<\/strong>).<\/p>\n\n\n

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La verdadera Frances Haugen<\/strong><\/figcaption><\/figure>\n<\/div>\n\n\n

La pel\u00edcula est\u00e1 dedicada a la memoria de Rob Reiner<\/strong>, asesinado el 14 de diciembre de 2025. Sorkin era uno de los mejores amigos de Reiner, y los dos hab\u00edan trabajado juntos en Algunos hombres buenos <\/strong>(1992) y El presidente y Miss Wade<\/strong> (1995), dirigidas por uno y escritas por el otro.<\/p>\n","protected":false},"excerpt":{"rendered":"

El precio de la red (The Social Reckoning) es un buen complemento a La red social (The Social Network) (2010), el cl\u00e1sico moderno de David Fincher sobre c\u00f3mo\u2026<\/p>\n","protected":false},"author":3,"featured_media":27557,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2],"tags":[],"class_list":["post-27556","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-alfombra-roja"],"acf":[],"yoast_head":"\nMark Zuckerberg vuelve al cine con otro rostro pero con el mismo guionista - Cinerama (desarrollo)<\/title>\n<meta name=\"description\" content=\"Frances Haugen. Jeff Horwitz. Jeremy Strong. El precio de la red. David Fincher. Mark Zuckerberg. Jesse Eisenberg. 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