{"id":27293,"date":"2026-09-16T15:36:27","date_gmt":"2026-09-16T13:36:27","guid":{"rendered":"https:\/\/cinerama.es\/?p=27293"},"modified":"2026-09-16T15:36:27","modified_gmt":"2026-09-16T13:36:27","slug":"el-curioso-caso-de-sentimental","status":"publish","type":"post","link":"https:\/\/kind-gauss.54-72-4-134.plesk.page\/?p=27293","title":{"rendered":"El curioso caso de Sentimental"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Primero fue obra de teatro, luego pel\u00edcula y m\u00e1s tarde fen\u00f3meno internacional. Siguiendo la l\u00ednea de la francesa<strong> Yasmina Reza <\/strong>con su obra de teatro <strong>Un dios salvaje<\/strong>, dos matrimonios, un conflicto y un desarrollo imprevisible, <strong>Cesc Gay<\/strong> escribi\u00f3, inspirado en una an\u00e9cdota personal, <strong>Los vecinos de arriba<\/strong>, una pieza para los escenarios que se estren\u00f3 en 2016 con un reparto compuesto por <strong>Candela Pe\u00f1a, Xavi Mira, Pilar Castro <\/strong>y <strong>Andrew Tarbet.<\/strong><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/cinerama.es\/wp-content\/uploads\/2026\/09\/sentimental-portada-cesc-gay.jpg-1200x800-1-1024x683.jpg\" alt=\"\" class=\"wp-image-27294\" srcset=\"https:\/\/cinerama.es\/wp-content\/uploads\/2026\/09\/sentimental-portada-cesc-gay.jpg-1200x800-1-1024x683.jpg 1024w, https:\/\/cinerama.es\/wp-content\/uploads\/2026\/09\/sentimental-portada-cesc-gay.jpg-1200x800-1-300x200.jpg 300w, https:\/\/cinerama.es\/wp-content\/uploads\/2026\/09\/sentimental-portada-cesc-gay.jpg-1200x800-1-768x512.jpg 768w, https:\/\/cinerama.es\/wp-content\/uploads\/2026\/09\/sentimental-portada-cesc-gay.jpg-1200x800-1-681x454.jpg 681w, https:\/\/cinerama.es\/wp-content\/uploads\/2026\/09\/sentimental-portada-cesc-gay.jpg-1200x800-1.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\"><strong>El director con su reparto para la adaptaci\u00f3n al cine<\/strong><\/figcaption><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">El cineasta se estrenaba como dramaturgo (luego escribir\u00eda<strong> 53 Domingos, <\/strong>una obra similar, en este caso tambi\u00e9n con cuatro personajes, tres de ellos hermanos) y seg\u00fan ha confesado, su modelo fueron las comedias <em>screwball <\/em>del Hollywood cl\u00e1sico (di\u00e1logos muy r\u00e1pidos e ingeniosos con tramas que se enredan), esas que dominaban como nadie <strong>Cary Grant, Katharine Hepburn, Rosalind Russell<\/strong> o <strong>Jack Lemmon.<\/strong><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"712\" height=\"400\" src=\"https:\/\/cinerama.es\/wp-content\/uploads\/2026\/09\/img.rtve_.jpg\" alt=\"\" class=\"wp-image-27295\" srcset=\"https:\/\/cinerama.es\/wp-content\/uploads\/2026\/09\/img.rtve_.jpg 712w, https:\/\/cinerama.es\/wp-content\/uploads\/2026\/09\/img.rtve_-300x169.jpg 300w\" sizes=\"auto, (max-width: 712px) 100vw, 712px\" \/><figcaption class=\"wp-element-caption\"><strong>Bel\u00e9n Cuesta y Alberto San Juan<\/strong><\/figcaption><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">La obra fue un \u00e9xito y <strong>Cesc Gay<\/strong> decidi\u00f3 adaptarla al cine, como hab\u00eda hecho <strong>Roman Polanski <\/strong>con<strong> Un dios salvaje<\/strong>. El perfecto mecanismo de relojer\u00eda de la historia, como fichas de domin\u00f3 que caen una detr\u00e1s de otra, encajaba en la gran pantalla, aunque en estos casos la clave era encontrar el reparto adecuado. Sin eso no hay nada, como confes\u00f3 el director. Para la pareja en crisis con una hija, \u00e9l m\u00fasico malhumorado que da clases de piano y ella con una tienda de ropa, el director contrat\u00f3 a<strong> Javier C\u00e1mara <\/strong>y la argentina <strong>Griselda Siciliani<\/strong> (espl\u00e9ndida en la serie <strong>Moria<\/strong>). Para los muy desenvueltos vecinos de arriba, invitados a una cena que resultar\u00e1 cat\u00e1rtica, los elegidos fueron <strong>Alberto San Juan,<\/strong> bombero de profesi\u00f3n, y<strong> Bel\u00e9n Cuesta,<\/strong> psic\u00f3loga con aguante. En <strong>Sentimental<\/strong>, como se termin\u00f3 titulando la pel\u00edcula, todo empieza con una alfombra y una discusi\u00f3n entre el m\u00fasico y su esposa. \u201cYo no soy una cutre y una taca\u00f1a como vos\u201d, dice ella, que en su salto al cine es argentina.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"690\" height=\"486\" src=\"https:\/\/cinerama.es\/wp-content\/uploads\/2026\/09\/sentimental-foto-2.jpg\" alt=\"\" class=\"wp-image-27296\" srcset=\"https:\/\/cinerama.es\/wp-content\/uploads\/2026\/09\/sentimental-foto-2.jpg 690w, https:\/\/cinerama.es\/wp-content\/uploads\/2026\/09\/sentimental-foto-2-300x211.jpg 300w, https:\/\/cinerama.es\/wp-content\/uploads\/2026\/09\/sentimental-foto-2-645x454.jpg 645w\" sizes=\"auto, (max-width: 690px) 100vw, 690px\" \/><figcaption class=\"wp-element-caption\"><strong>Javier C\u00e1mara y Griselda Siciliani<\/strong><\/figcaption><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\"><strong>Sentimental <\/strong>recibi\u00f3 cinco nominaciones al Goya, incluidas mejor pel\u00edcula, guion adaptado para<strong> Cesc Gay, <\/strong>y para tres de sus int\u00e9rpretes, <strong>Javier C\u00e1mara, Griselda Siciliani <\/strong>y<strong> Alberto San Juan<\/strong>. Gan\u00f3 este \u00faltimo como actor de reparto por su sarc\u00e1stico e irritante bombero.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"656\" height=\"1024\" src=\"https:\/\/cinerama.es\/wp-content\/uploads\/2026\/09\/MV5BMjI0MzJjMjctNmQzZi00Y2U4LWEwZGItMmE3NDUzNzk1YzY3XkEyXkFqcGc@._V1_-1-656x1024.jpg\" alt=\"\" class=\"wp-image-27298\" srcset=\"https:\/\/cinerama.es\/wp-content\/uploads\/2026\/09\/MV5BMjI0MzJjMjctNmQzZi00Y2U4LWEwZGItMmE3NDUzNzk1YzY3XkEyXkFqcGc@._V1_-1-656x1024.jpg 656w, https:\/\/cinerama.es\/wp-content\/uploads\/2026\/09\/MV5BMjI0MzJjMjctNmQzZi00Y2U4LWEwZGItMmE3NDUzNzk1YzY3XkEyXkFqcGc@._V1_-1-192x300.jpg 192w, https:\/\/cinerama.es\/wp-content\/uploads\/2026\/09\/MV5BMjI0MzJjMjctNmQzZi00Y2U4LWEwZGItMmE3NDUzNzk1YzY3XkEyXkFqcGc@._V1_-1-768x1199.jpg 768w, https:\/\/cinerama.es\/wp-content\/uploads\/2026\/09\/MV5BMjI0MzJjMjctNmQzZi00Y2U4LWEwZGItMmE3NDUzNzk1YzY3XkEyXkFqcGc@._V1_-1-984x1536.jpg 984w, https:\/\/cinerama.es\/wp-content\/uploads\/2026\/09\/MV5BMjI0MzJjMjctNmQzZi00Y2U4LWEwZGItMmE3NDUzNzk1YzY3XkEyXkFqcGc@._V1_-1-1312x2048.jpg 1312w, https:\/\/cinerama.es\/wp-content\/uploads\/2026\/09\/MV5BMjI0MzJjMjctNmQzZi00Y2U4LWEwZGItMmE3NDUzNzk1YzY3XkEyXkFqcGc@._V1_-1-291x454.jpg 291w, https:\/\/cinerama.es\/wp-content\/uploads\/2026\/09\/MV5BMjI0MzJjMjctNmQzZi00Y2U4LWEwZGItMmE3NDUzNzk1YzY3XkEyXkFqcGc@._V1_-1-scaled.jpg 1639w\" sizes=\"auto, (max-width: 656px) 100vw, 656px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">La pel\u00edcula tambi\u00e9n fue un \u00e9xito y entonces comenz\u00f3 la tercera fase, el fen\u00f3meno mundial. Se convirti\u00f3 en un texto universal, representada en los escenarios de m\u00e1s de 25 pa\u00edses y con versi\u00f3n cinematogr\u00e1fica en Corea del Sur (<strong>Witjip saramdeul<\/strong>. 2025), Rusia (<strong>Neprilichnye gosti.<\/strong> 2024), Francia (<strong>Et plus si affinit\u00e9s. <\/strong>2024), Suiza (<strong>Die Nachbarn von oven<\/strong>. 2023), Italia (<strong>Vicini di casa<\/strong>. 2022), Rep\u00fablica Checa (<strong>V dobr\u00e9m i zl\u00e9m.<\/strong> 2024) y Estados Unidos (<strong>The Invite<\/strong>). Esta \u00faltima, con <strong>Seth Rogen<\/strong> en el papel original de<strong> Javier C\u00e1mara,<\/strong> <strong>Olivia Wilde<\/strong> como su insatisfecha esposa, <strong>Edward Norton <\/strong>tomando el testigo de<strong> Alberto San Juan <\/strong>y<strong> Pen\u00e9lope Cruz<\/strong> el de<strong> Bel\u00e9n Cuesta<\/strong>, se estrena en cines el 16 de octubre con direcci\u00f3n de la misma <strong>Olivia Wilde.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Y como hay que mirarlo todo, <strong>Cesc Gay<\/strong> record\u00f3 en una entrevista en televisi\u00f3n lo que supone este fen\u00f3meno en derechos de autor.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Primero fue obra de teatro, luego pel\u00edcula y m\u00e1s tarde fen\u00f3meno internacional. Siguiendo la l\u00ednea de la francesa Yasmina Reza con su obra de teatro Un dios salvaje,\u2026<\/p>\n","protected":false},"author":3,"featured_media":27299,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[11],"tags":[],"class_list":["post-27293","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ver-para-creer"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>El curioso caso de Sentimental - Cinerama (desarrollo)<\/title>\n<meta name=\"description\" content=\"Sentimental . Cesc Gay. Javier C\u00e1mara, Griselda Siciliani y Alberto San Juan. Seth Rogen . Olivia Wilde . 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