{"id":27153,"date":"2026-09-08T11:31:49","date_gmt":"2026-09-08T09:31:49","guid":{"rendered":"https:\/\/cinerama.es\/?p=27153"},"modified":"2026-09-08T11:31:49","modified_gmt":"2026-09-08T09:31:49","slug":"cronica-del-festival-de-venecia-iv","status":"publish","type":"post","link":"https:\/\/kind-gauss.54-72-4-134.plesk.page\/?p=27153","title":{"rendered":"Cr\u00f3nica del Festival de Venecia (IV)"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><strong>Susan Sarandon<\/strong> rod\u00f3 en 1978 con <strong>Louis Malle<\/strong> (1932-1995) la pol\u00e9mica <strong>Pretty Baby (La peque\u00f1a)<\/strong>. La actriz admiraba al italiano <strong>Bernardo Bertolucci <\/strong>(1941-2018) y el cineasta franc\u00e9s se lo present\u00f3. Ahora, la actriz es una de las protagonistas de <strong>The Echo Chamber, <\/strong>un proyecto \u201cextremadamente personal\u201d, un guion en el que <strong>Bertolucci <\/strong>estuvo trabajando en 2017 junto a las guionistas<strong> Ilaria Bernardini <\/strong>y <strong>Ludovica Rampoldi. <\/strong>\u201cCuando vi <strong>El conformista<\/strong> (1970), no sab\u00eda que el cine pod\u00eda hacer eso. La forma en que se ve\u00eda, la forma en que \u00e9l contaba la historia era completamente diferente. Me qued\u00e9 at\u00f3nita y pens\u00e9: \u00bfqu\u00e9 es esto? M\u00e1s tarde le conoc\u00ed a trav\u00e9s de <strong>Louis Malle<\/strong> y me hice muy amiga de \u00e9l; me encontr\u00e9 a un tipo divertido y a una persona completamente diferente a la que hab\u00eda hecho <strong>El conformista<\/strong>. Hace poco volv\u00ed a ver la pel\u00edcula, llev\u00e9 a mi hijo, que es cineasta, a verla. Y sigue siendo moderna\u201d.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"819\" height=\"1024\" src=\"https:\/\/cinerama.es\/wp-content\/uploads\/2026\/09\/MV5BOTdlNTVjODEtODI1YS00MzNkLTg0NjEtNDM5ODBiNzY3Yzc0XkEyXkFqcGc@._V1_FMjpg_UX1000_-819x1024.jpg\" alt=\"\" class=\"wp-image-27154\" srcset=\"https:\/\/cinerama.es\/wp-content\/uploads\/2026\/09\/MV5BOTdlNTVjODEtODI1YS00MzNkLTg0NjEtNDM5ODBiNzY3Yzc0XkEyXkFqcGc@._V1_FMjpg_UX1000_-819x1024.jpg 819w, https:\/\/cinerama.es\/wp-content\/uploads\/2026\/09\/MV5BOTdlNTVjODEtODI1YS00MzNkLTg0NjEtNDM5ODBiNzY3Yzc0XkEyXkFqcGc@._V1_FMjpg_UX1000_-240x300.jpg 240w, https:\/\/cinerama.es\/wp-content\/uploads\/2026\/09\/MV5BOTdlNTVjODEtODI1YS00MzNkLTg0NjEtNDM5ODBiNzY3Yzc0XkEyXkFqcGc@._V1_FMjpg_UX1000_-768x960.jpg 768w, https:\/\/cinerama.es\/wp-content\/uploads\/2026\/09\/MV5BOTdlNTVjODEtODI1YS00MzNkLTg0NjEtNDM5ODBiNzY3Yzc0XkEyXkFqcGc@._V1_FMjpg_UX1000_-363x454.jpg 363w, https:\/\/cinerama.es\/wp-content\/uploads\/2026\/09\/MV5BOTdlNTVjODEtODI1YS00MzNkLTg0NjEtNDM5ODBiNzY3Yzc0XkEyXkFqcGc@._V1_FMjpg_UX1000_.jpg 1000w\" sizes=\"auto, (max-width: 819px) 100vw, 819px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">Ese guion que nunca se rod\u00f3 se ha estrenado ahora en Venecia. <strong>The Echo Chamber<\/strong>, con Sarandon, <strong>Alicia Vikander<\/strong> y<strong> Luca Marinelli, <\/strong>sigue la estela de<strong> So\u00f1adores<\/strong> (2003) y <strong>T\u00fa y yo<\/strong> (2012), los dos \u00faltimos largometrajes del cineasta italiano ganador del Oscar por<strong> El \u00faltimo emperador <\/strong>(1987). Un solo escenario, un par de personajes y \u201cuna narrativa intensamente claustrof\u00f3bica, construida en torno a la proximidad f\u00edsica, los intercambios privados y una \u00fanica localizaci\u00f3n dominante\u201d, en palabras del\u00a0cr\u00edtico y periodista italiano Davide Abbatescianni.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Susan Sarandon rod\u00f3 en 1978 con Louis Malle (1932-1995) la pol\u00e9mica Pretty Baby (La peque\u00f1a). La actriz admiraba al italiano Bernardo Bertolucci (1941-2018) y el cineasta franc\u00e9s se\u2026<\/p>\n","protected":false},"author":3,"featured_media":27155,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[5],"tags":[],"class_list":["post-27153","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-festivales-y-presentaciones"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Cr\u00f3nica del Festival de Venecia (IV) - Cinerama (desarrollo)<\/title>\n<meta name=\"description\" content=\"Susan Sarandon. Louis Malle. Bernardo Bertolucci. The Echo Chamber. Ilaria Bernardini y Ludovica Rampoldi. 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