{"id":27114,"date":"2026-09-07T13:37:26","date_gmt":"2026-09-07T11:37:26","guid":{"rendered":"https:\/\/cinerama.es\/?p=27114"},"modified":"2026-09-07T13:37:26","modified_gmt":"2026-09-07T11:37:26","slug":"telluride-desafia-a-venecia-y-adelanta-el-pulso-de-los-oscar-con-moore-scott-y-malkovich","status":"publish","type":"post","link":"https:\/\/kind-gauss.54-72-4-134.plesk.page\/?p=27114","title":{"rendered":"Telluride desaf\u00eda a Venecia y adelanta el pulso de los Oscar con Moore, Scott y Malkovich"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><strong>Texto: Mar\u00eda Est\u00e9vez<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">El festival de <strong>Telluride<\/strong>, m\u00e1s discreto y selectivo que su rival italiano, revel\u00f3 una programaci\u00f3n con menos glamour en la alfombra roja,\u00a0pero m\u00e1s peso interpretativo. Sus tres t\u00edtulos m\u00e1s comentados: <strong>The Debut, Elsinore <\/strong>y <strong>Wild Horse Nine<\/strong> (solo dos de ellos se estrenaron en Venecia)\u00a0continuar\u00e1n su camino hacia <strong>Toronto <\/strong>la pr\u00f3xima semana.\u00a0<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Cada a\u00f1o, a principios de septiembre, el peque\u00f1o pueblo minero de <strong>Telluride<\/strong>, en las Monta\u00f1as Rocosas de <strong>Colorado<\/strong>, se convierte durante cuatro d\u00edas en el pulso de la temporada de premios en Hollywood. La 53\u00aa edici\u00f3n del festival, celebrada del 4 al 7 de septiembre coincidiendo con el fin de semana del Labor Day estadounidense, ha vuelto a cumplir su papel.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"819\" height=\"1024\" src=\"https:\/\/cinerama.es\/wp-content\/uploads\/2026\/09\/ink_xlg-819x1024.jpg\" alt=\"\" class=\"wp-image-27119\" srcset=\"https:\/\/cinerama.es\/wp-content\/uploads\/2026\/09\/ink_xlg-819x1024.jpg 819w, https:\/\/cinerama.es\/wp-content\/uploads\/2026\/09\/ink_xlg-240x300.jpg 240w, https:\/\/cinerama.es\/wp-content\/uploads\/2026\/09\/ink_xlg-768x960.jpg 768w, https:\/\/cinerama.es\/wp-content\/uploads\/2026\/09\/ink_xlg-363x454.jpg 363w, https:\/\/cinerama.es\/wp-content\/uploads\/2026\/09\/ink_xlg.jpg 960w\" sizes=\"auto, (max-width: 819px) 100vw, 819px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">\u00a0<strong>Venecia <\/strong>abre este a\u00f1o su Mostra por todo lo alto con el estreno de <strong>Ink<\/strong>, el retrato de<strong> Danny Boyle <\/strong>sobre los inicios del magnate medi\u00e1tico Rupert Murdoch, protagonizado por <strong>Guy Pearce<\/strong>. Telluride responde con una selecci\u00f3n m\u00e1s compacta y, seg\u00fan buena parte de la cr\u00edtica especializada, con mayor densidad interpretativa.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">La organizaci\u00f3n mantuvo hasta \u00faltima hora el hermetismo caracter\u00edstico de esta cita. El programa, de m\u00e1s de sesenta t\u00edtulos entre largometrajes, cortos , documentales y revisiones hist\u00f3ricas, no se hizo p\u00fablico hasta la ma\u00f1ana del jueves previo a la inauguraci\u00f3n. Un d\u00eda despu\u00e9s de que Venecia hubiera desvelado el suyo. Ese contraste de calendario y de escala \u2014<strong>Telluride <\/strong>nunca ha aspirado a competir en tama\u00f1o con festivales como <strong>Venecia<\/strong>, <strong>Cannes <\/strong>o <strong>Toronto<\/strong>\u2014 es precisamente lo que sus defensores consideran su mayor virtud. En <strong>Telluride <\/strong>no hay alfombras rojas multitudinarias. Es una alternativa rural definida por las reacciones del p\u00fablico y la prensa especializada.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">La edici\u00f3n de este a\u00f1o, adem\u00e1s, lleg\u00f3 marcada por una circunstancia excepcional. Un mes antes de la apertura, una riada afect\u00f3 gravemente al pueblo y da\u00f1\u00f3 varios edificios, entre ellos el teatro <strong>Michael D. Palm, <\/strong>una de las sedes hist\u00f3ricas del festival. La directora<strong> Julie Huntsinger <\/strong>asegur\u00f3 que el certamen se celebrar\u00eda pese a las inundaciones y a la intensa competencia entre festivales por hacerse con los t\u00edtulos m\u00e1s codiciados de la temporada.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"656\" height=\"1024\" src=\"https:\/\/cinerama.es\/wp-content\/uploads\/2026\/09\/debut_xlg-656x1024.jpg\" alt=\"\" class=\"wp-image-27115\" srcset=\"https:\/\/cinerama.es\/wp-content\/uploads\/2026\/09\/debut_xlg-656x1024.jpg 656w, https:\/\/cinerama.es\/wp-content\/uploads\/2026\/09\/debut_xlg-192x300.jpg 192w, https:\/\/cinerama.es\/wp-content\/uploads\/2026\/09\/debut_xlg-768x1199.jpg 768w, https:\/\/cinerama.es\/wp-content\/uploads\/2026\/09\/debut_xlg-291x454.jpg 291w, https:\/\/cinerama.es\/wp-content\/uploads\/2026\/09\/debut_xlg.jpg 961w\" sizes=\"auto, (max-width: 656px) 100vw, 656px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\"><strong>Julianne Moore, ama de casa en un montaje amateur<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Entre los estrenos mundiales que Telluride se reserva para s\u00ed \u2014sin pasar antes por Venecia\u2014 destaca<strong> The Debut,<\/strong> la nueva pel\u00edcula de<strong> Jesse Eisenberg<\/strong>, director de <strong>A Real Pain<\/strong> (2024), producida por A24. Moore encabeza el reparto como una ama de casa que, tras a\u00f1os de rutina, es seleccionada para protagonizar una producci\u00f3n de teatro comunitaria dirigida por un tirano de provincias interpretado por<strong> Paul Giamatti. <\/strong>La actuaci\u00f3n de Moore es, probablemente, la mejor de su carrera e ilusiona como firme candidata a los Oscars de este a\u00f1o.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"577\" src=\"https:\/\/cinerama.es\/wp-content\/uploads\/2026\/09\/E_01302_R-H-2026-1024x577.webp\" alt=\"\" class=\"wp-image-27116\" srcset=\"https:\/\/cinerama.es\/wp-content\/uploads\/2026\/09\/E_01302_R-H-2026-1024x577.webp 1024w, https:\/\/cinerama.es\/wp-content\/uploads\/2026\/09\/E_01302_R-H-2026-300x169.webp 300w, https:\/\/cinerama.es\/wp-content\/uploads\/2026\/09\/E_01302_R-H-2026-768x433.webp 768w, https:\/\/cinerama.es\/wp-content\/uploads\/2026\/09\/E_01302_R-H-2026-806x454.webp 806w, https:\/\/cinerama.es\/wp-content\/uploads\/2026\/09\/E_01302_R-H-2026.webp 1296w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\"><strong>Andrew Scott y Olivia Colman<\/strong><\/figcaption><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\"><strong>Andrew Scott, en la piel de un actor real<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">El segundo gran estreno es <strong>Elsinore<\/strong>, dirigida por el australiano<strong> Simon Stone<\/strong> y protagonizada por <strong>Andrew Scott, <\/strong>quien encarna al actor escoc\u00e9s <strong>Ian Charleson<\/strong> \u2014recordado por su papel en la oscarizada<strong> Carros de fuego<\/strong> (1981)\u2014 durante el \u00faltimo a\u00f1o de su vida, antes de morir a causa del sida. <strong>Olivia Colman <\/strong>completa el reparto principal. La pel\u00edcula, distribuida por Focus Features, ha sido descrita por varios medios estadounidenses como una de las apuestas m\u00e1s firmes del estudio para la temporada de premios.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Malkovich, medalla de plata y candidato a mejor actor<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">El tercer t\u00edtulo del que m\u00e1s se ha hablado en <strong>Telluride <\/strong>no tuvo, sin embargo, su estreno absoluto en la localidad de Colorado. <strong>Wild Horse Nine<\/strong>, la nueva comedia de esp\u00edas del director irland\u00e9s <strong>Martin McDonagh, <\/strong>responsable de<strong> Tres anuncios en las afueras<\/strong> (2017) y <strong>Almas en pena de Inisherin<\/strong> (2022), se present\u00f3 primero en <strong>Venecia <\/strong>y el protagonista, <strong>Malkovich<\/strong>, vol\u00f3 directamente desde all\u00ed hasta <strong>Telluride <\/strong>para su estreno norteamericano. La cinta, producida por <strong>Searchlight<\/strong>, sit\u00faa a <strong>John Malkovich<\/strong> y <strong>Sam Rockwell <\/strong>como dos agentes de la CIA destinados a la Isla de Pascua en v\u00edsperas del golpe de Estado chileno de 1973.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"691\" height=\"1024\" src=\"https:\/\/cinerama.es\/wp-content\/uploads\/2026\/09\/only_living_pickpocket_in_new_york_xlg-691x1024.jpg\" alt=\"\" class=\"wp-image-27117\" srcset=\"https:\/\/cinerama.es\/wp-content\/uploads\/2026\/09\/only_living_pickpocket_in_new_york_xlg-691x1024.jpg 691w, https:\/\/cinerama.es\/wp-content\/uploads\/2026\/09\/only_living_pickpocket_in_new_york_xlg-202x300.jpg 202w, https:\/\/cinerama.es\/wp-content\/uploads\/2026\/09\/only_living_pickpocket_in_new_york_xlg-768x1138.jpg 768w, https:\/\/cinerama.es\/wp-content\/uploads\/2026\/09\/only_living_pickpocket_in_new_york_xlg-306x454.jpg 306w, https:\/\/cinerama.es\/wp-content\/uploads\/2026\/09\/only_living_pickpocket_in_new_york_xlg.jpg 1012w\" sizes=\"auto, (max-width: 691px) 100vw, 691px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">El papel de Malkovich, de 72 a\u00f1os, ha sido recibido como uno de los m\u00e1s s\u00f3lidos de su carrera reciente y lo coloca en la conversaci\u00f3n por el Oscar al mejor actor, en un a\u00f1o en el que tambi\u00e9n compite <strong>John Turturro<\/strong> como un veterano carterista en <strong>The Only Living Pickpocket in New York<\/strong>, presentada en el pasado <strong>Sundance<\/strong>. <strong>Telluride<\/strong>, adem\u00e1s, decidi\u00f3 honrar a Malkovich con su Medalla de Plata, el reconocimiento que el festival concede cada edici\u00f3n a un pu\u00f1ado de figuras del cine. Este a\u00f1o lo comparti\u00f3 con la actriz alemana <strong>Sandra H\u00fcller,<\/strong> ganadora reciente del premio a mejor actriz en Berl\u00edn, y con el cineasta brit\u00e1nico <strong>Andrew Haigh<\/strong>, que present\u00f3 en <strong>Telluride <\/strong>su propio estreno mundial, <strong>A Long Winter<\/strong>, protagonizado por<strong> Kit Connor<\/strong> y <strong>Ebon Moss-Bachrach<\/strong>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Una programaci\u00f3n con sello propio<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Como es tradici\u00f3n, <strong>Telluride <\/strong>encarg\u00f3 a una personalidad del cine la selecci\u00f3n de un peque\u00f1o ciclo paralelo. Este a\u00f1o la elegida fue la actriz y directora <strong>Rebecca Hall<\/strong>, quien recuper\u00f3 seis t\u00edtulos, entre ellos <strong>Margaret<\/strong> (2011), de <strong>Kenneth Lonergan,<\/strong> y <strong>Synecdoche, New York<\/strong> (2008), de <strong>Charlie Kaufman<\/strong>, en una apuesta por reivindicar el cine de archivo frente a la avalancha de estrenos.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"683\" height=\"1024\" src=\"https:\/\/cinerama.es\/wp-content\/uploads\/2026\/09\/MV5BZmU1MWE5MjUtZTE3Ni00NGYzLWIyZTktN2E3ZGNlZjRhMTk2XkEyXkFqcGc@._V1_FMjpg_UX1000_-683x1024.jpg\" alt=\"\" class=\"wp-image-27118\" srcset=\"https:\/\/cinerama.es\/wp-content\/uploads\/2026\/09\/MV5BZmU1MWE5MjUtZTE3Ni00NGYzLWIyZTktN2E3ZGNlZjRhMTk2XkEyXkFqcGc@._V1_FMjpg_UX1000_-683x1024.jpg 683w, https:\/\/cinerama.es\/wp-content\/uploads\/2026\/09\/MV5BZmU1MWE5MjUtZTE3Ni00NGYzLWIyZTktN2E3ZGNlZjRhMTk2XkEyXkFqcGc@._V1_FMjpg_UX1000_-200x300.jpg 200w, https:\/\/cinerama.es\/wp-content\/uploads\/2026\/09\/MV5BZmU1MWE5MjUtZTE3Ni00NGYzLWIyZTktN2E3ZGNlZjRhMTk2XkEyXkFqcGc@._V1_FMjpg_UX1000_-768x1152.jpg 768w, https:\/\/cinerama.es\/wp-content\/uploads\/2026\/09\/MV5BZmU1MWE5MjUtZTE3Ni00NGYzLWIyZTktN2E3ZGNlZjRhMTk2XkEyXkFqcGc@._V1_FMjpg_UX1000_-303x454.jpg 303w, https:\/\/cinerama.es\/wp-content\/uploads\/2026\/09\/MV5BZmU1MWE5MjUtZTE3Ni00NGYzLWIyZTktN2E3ZGNlZjRhMTk2XkEyXkFqcGc@._V1_FMjpg_UX1000_-300x450.jpg 300w, https:\/\/cinerama.es\/wp-content\/uploads\/2026\/09\/MV5BZmU1MWE5MjUtZTE3Ni00NGYzLWIyZTktN2E3ZGNlZjRhMTk2XkEyXkFqcGc@._V1_FMjpg_UX1000_.jpg 1000w\" sizes=\"auto, (max-width: 683px) 100vw, 683px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">Entre el resto de la programaci\u00f3n figuraron tambi\u00e9n t\u00edtulos que ya hab\u00edan circulado por otros festivales a lo largo del a\u00f1o, como <strong>Fjord<\/strong>, ganadora de la Palma de Oro en Cannes, protagonizada por<strong> Sebastian Stan <\/strong>y <strong>Renate Reinsve<\/strong>, o el drama familiar<strong> Gentle Monster<\/strong>, con <strong>Catherine Deneuve <\/strong>y <strong>L\u00e9a Seydoux<\/strong>, actriz que esta temporada acumula hasta tres pel\u00edculas distintas en el circuito de festivales.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Rumbo a Toronto<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">El itinerario de estas pel\u00edculas no termina en Colorado. Tanto <strong>The Debut <\/strong>como <strong>Elsinore <\/strong>y <strong>Wild Horse Nine<\/strong> figuran en la programaci\u00f3n del <strong>Festival Internacional de Cine de Toronto<\/strong>, que se celebrar\u00e1 del 10 al 20 de septiembre y que constituye la tercera y \u00faltima gran parada del circuito norteamericano antes de que arranque de manera formal la campa\u00f1a de los Oscar. La secuencia<strong> Venecia-Telluride-Toronto,<\/strong> que desde hace a\u00f1os marca el calendario no oficial de la temporada de premios, vuelve as\u00ed a repetirse. Las pel\u00edculas que generan conversaci\u00f3n en <strong>Colorado <\/strong>llegan a <strong>Toronto <\/strong>con la etiqueta de favoritas ya puesta, listas para medirse ante un p\u00fablico y una prensa mucho m\u00e1s numerosos.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ni <strong>Telluride <\/strong>ni <strong>Toronto <\/strong>deciden por s\u00ed solos qui\u00e9n acabar\u00e1 alzando una estatuilla en la gala de marzo, pero la carrera hacia los Oscar 2027 empieza a tomar forma antes incluso de que el oto\u00f1o haya arrancado.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Texto: Mar\u00eda Est\u00e9vez El festival de Telluride, m\u00e1s discreto y selectivo que su rival italiano, revel\u00f3 una programaci\u00f3n con menos glamour en la alfombra roja,\u00a0pero m\u00e1s peso interpretativo.\u2026<\/p>\n","protected":false},"author":3,"featured_media":27121,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[11],"tags":[],"class_list":["post-27114","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ver-para-creer"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Telluride desaf\u00eda a Venecia y adelanta el pulso de los Oscar con Moore, Scott y Malkovich - Cinerama (desarrollo)<\/title>\n<meta name=\"description\" content=\"The Debut, Elsinore y Wild Horse Nine. Toronto. Telluride, en las Monta\u00f1as Rocosas de Colorado. Gentle Monster, con Catherine Deneuve\" \/>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Telluride desaf\u00eda a Venecia y adelanta el pulso de los Oscar con Moore, Scott y Malkovich - Cinerama (desarrollo)\" \/>\n<meta property=\"og:description\" content=\"The Debut, Elsinore y Wild Horse Nine. Toronto. Telluride, en las Monta\u00f1as Rocosas de Colorado. 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