{"id":27004,"date":"2026-09-01T10:48:06","date_gmt":"2026-09-01T08:48:06","guid":{"rendered":"https:\/\/cinerama.es\/?p=27004"},"modified":"2026-09-01T10:48:06","modified_gmt":"2026-09-01T08:48:06","slug":"audrey-rose-tras-los-inquietantes-pasos-de-el-exorcista","status":"publish","type":"post","link":"https:\/\/kind-gauss.54-72-4-134.plesk.page\/?p=27004","title":{"rendered":"Audrey Rose tras los inquietantes pasos de El exorcista"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Imaginen que un buen d\u00eda su hijo de seis a\u00f1os se pone a tocar el piano como un m\u00fasico avanzado, cuando el chico no ha dado clases en su vida. Este suceso tan inquietante lo vivi\u00f3 el escritor <strong>Frank De Felitta<\/strong> (1921-2016) y la experiencia le llev\u00f3 a escribir una novela sobre la la reencarnaci\u00f3n. \u201cMe inspir\u00f3 ese incidente en el que mi hijo comenz\u00f3 a mostrar talentos e intereses inusuales. Un ocultista me sugiri\u00f3 que el ni\u00f1o podr\u00eda estar recordando una vida anterior\u201d. Este cr\u00edo en la ficci\u00f3n pas\u00f3 a ser Ivy Templeton.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"660\" height=\"1024\" src=\"https:\/\/cinerama.es\/wp-content\/uploads\/2026\/09\/audrey_rose_xlg-660x1024.jpg\" alt=\"\" class=\"wp-image-27008\" srcset=\"https:\/\/cinerama.es\/wp-content\/uploads\/2026\/09\/audrey_rose_xlg-660x1024.jpg 660w, https:\/\/cinerama.es\/wp-content\/uploads\/2026\/09\/audrey_rose_xlg-193x300.jpg 193w, https:\/\/cinerama.es\/wp-content\/uploads\/2026\/09\/audrey_rose_xlg-768x1191.jpg 768w, https:\/\/cinerama.es\/wp-content\/uploads\/2026\/09\/audrey_rose_xlg-293x454.jpg 293w, https:\/\/cinerama.es\/wp-content\/uploads\/2026\/09\/audrey_rose_xlg.jpg 967w\" sizes=\"auto, (max-width: 660px) 100vw, 660px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">Como en <strong>El exorcista<\/strong> (1973), que estaba basada en un hecho real protagonizado por un ni\u00f1o, en<strong> Las dos vidas de Audrey Rose (Audrey Rose)<\/strong> (1977) tambi\u00e9n se cambi\u00f3 el sexo del protagonista. Ivy es una ni\u00f1a feliz con unos padres m\u00e1s felices todav\u00eda. La ni\u00f1a, interpretada por <strong>Susan Swift<\/strong>, no es <strong>Linda Blair <\/strong>aunque <strong>Marsha Mason<\/strong> (1942), que hace de la madre, s\u00ed puede ser <strong>Ellen Burstyn<\/strong>. La actriz nominada en cuatro ocasiones al Oscar est\u00e1 a la altura de Burstyn. En su caso, la ni\u00f1a no est\u00e1 pose\u00edda, estamos ante una reencarnaci\u00f3n. Resulta que Ivy tiene sue\u00f1os raros y en la casa se reciben llamadas inquietantes. \u00bfLa ni\u00f1a est\u00e1 bien? Parece que no. Hay una escena particularmente buena donde la madre sigue a su hija a la salida del colegio por las calles bajo la lluvia. Ese momento nos recuerda a <strong>Amenaza en la sombra (Don\u2019t Look Now)<\/strong> (1973), que siempre es una muy buena referencia. En cualquier caso, el mundo se volvi\u00f3 loco con <strong>El exorcista<\/strong> y <strong>Robert Wise<\/strong> (1914-2005), el director de <strong>Las dos vidas de Audrey Rose (Audrey Rose)<\/strong>, viejo zorro, se apunt\u00f3 a la euforia.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ambas pel\u00edculas, la de <strong>William Friedkin<\/strong> y la de Wise, se parecen mucho. \u201cNo creo que vayamos a probar con esta pel\u00edcula que existe la reencarnaci\u00f3n, pero estoy muy abierto a la posibilidad de lo sobrenatural, lo paranormal, la posibilidad de que existan dimensiones\u201d, declar\u00f3 en su momento el director de cl\u00e1sicos como <strong>West Side Story<\/strong> (1961), <strong>La mansi\u00f3n encantada<\/strong> (1963), <strong>Sonrisas y l\u00e1grimas<\/strong> (1965) o <strong>La amenaza de Andr\u00f3meda <\/strong>(1971).<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"1024\" src=\"https:\/\/cinerama.es\/wp-content\/uploads\/2026\/09\/4494523-768x1024.webp\" alt=\"\" class=\"wp-image-27007\" srcset=\"https:\/\/cinerama.es\/wp-content\/uploads\/2026\/09\/4494523-768x1024.webp 768w, https:\/\/cinerama.es\/wp-content\/uploads\/2026\/09\/4494523-225x300.webp 225w, https:\/\/cinerama.es\/wp-content\/uploads\/2026\/09\/4494523-1152x1536.webp 1152w, https:\/\/cinerama.es\/wp-content\/uploads\/2026\/09\/4494523-341x454.webp 341w, https:\/\/cinerama.es\/wp-content\/uploads\/2026\/09\/4494523.webp 1200w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\"><strong>Marsha Mason<\/strong> (1942), por su parte, era toda una celebridad en los ambientes teatrales de Broadway y estuvo casada con el gran dramaturgo <strong>Neil Simon<\/strong> entre 1973 y 1983. No fue una actriz muy popular, pero s\u00ed muy reconocida y pod\u00eda haber ganado el Oscar si no hubiese rechazado<strong> Norma Rae <\/strong>(1979), que le dio el premio a <strong>Sally Field<\/strong>. Marsha rod\u00f3 <strong>Audrey Rose <\/strong>justo antes de su pel\u00edcula m\u00e1s conocida, <strong>La chica del adi\u00f3s (The Goodbye Girl) <\/strong>(1977), comedia rom\u00e1ntica escrita por su marido que convirti\u00f3 a <strong>Richard Dreyfuss<\/strong> en el actor m\u00e1s joven en ganar el Oscar como protagonista (r\u00e9cord que le arrebat\u00f3 <strong>Adrien Brody<\/strong>\u00a0en la ceremonia de 2003). Marsha no se qued\u00f3 contenta con su interpretaci\u00f3n de la madre de Ivy, Janice Templeton. \u201cLo \u00fanico que hice fue llorar y eso convirti\u00f3 la pel\u00edcula en una tragedia griega\u201d. Ahora est\u00e1 retirada y dirige su propio negocio de hierbas medicinales llamado \u00abResting in the River\u00bb, donde vende y fabrica medicamentos en su huerto de Albuquerque, Nuevo M\u00e9xico.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"608\" height=\"408\" src=\"https:\/\/cinerama.es\/wp-content\/uploads\/2026\/09\/image.webp\" alt=\"\" class=\"wp-image-27006\" srcset=\"https:\/\/cinerama.es\/wp-content\/uploads\/2026\/09\/image.webp 608w, https:\/\/cinerama.es\/wp-content\/uploads\/2026\/09\/image-300x201.webp 300w\" sizes=\"auto, (max-width: 608px) 100vw, 608px\" \/><figcaption class=\"wp-element-caption\"><strong>Anthony Hopkins con <strong>Susan Swift<\/strong><\/strong> (<strong>Audrey Rose<\/strong>)<\/figcaption><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">Un hombre extra\u00f1o y de mirada rara vigila a Ivy, sigue a la madre bajo la lluvia y al marido y padre de la ni\u00f1a. Este se\u00f1or hace 11 a\u00f1os era feliz, pero perdi\u00f3 a su mujer e hija, la Audrey Rose del t\u00edtulo, en un accidente. Menos mal que una m\u00e9dium le dijo que su hija estaba viva y le dio detalles de d\u00f3nde viv\u00eda (como en <strong>Amenaza en la sombra<\/strong>). Ese hombre es <strong>Anthony Hopkins<\/strong>, mucho antes de pasar a la historia como<strong> Hannibal Lecter.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong> Las dos vidas de Audrey Rose (Audrey Rose)<\/strong> (1977) se puede ver en Prime Video<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Imaginen que un buen d\u00eda su hijo de seis a\u00f1os se pone a tocar el piano como un m\u00fasico avanzado, cuando el chico no ha dado clases en\u2026<\/p>\n","protected":false},"author":3,"featured_media":27009,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[10],"tags":[],"class_list":["post-27004","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-streaming-news"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Audrey Rose tras los inquietantes pasos de El exorcista - Cinerama (desarrollo)<\/title>\n<meta name=\"description\" content=\"El exorcista (1973), Las dos vidas de Audrey Rose (1977) Marsha Mason (1942), Ellen Burstyn. Amenaza en la sombra (Don\u2019t Look Now) (1973)\" \/>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Audrey Rose tras los inquietantes pasos de El exorcista - Cinerama (desarrollo)\" \/>\n<meta property=\"og:description\" content=\"El exorcista (1973), Las dos vidas de Audrey Rose (1977) Marsha Mason (1942), Ellen Burstyn. Amenaza en la sombra (Don\u2019t Look Now) (1973)\" \/>\n<meta property=\"og:url\" content=\"https:\/\/kind-gauss.54-72-4-134.plesk.page\/?p=27004\" \/>\n<meta property=\"og:site_name\" content=\"Cinerama (desarrollo)\" \/>\n<meta property=\"article:published_time\" content=\"2026-09-01T08:48:06+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/cinerama.es\/wp-content\/uploads\/2026\/09\/images.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"757\" \/>\n\t<meta property=\"og:image:height\" content=\"405\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Alfonso As\u00faa\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"Alfonso As\u00faa\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/kind-gauss.54-72-4-134.plesk.page\\\/?p=27004#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/kind-gauss.54-72-4-134.plesk.page\\\/?p=27004\"},\"author\":{\"name\":\"Alfonso As\u00faa\",\"@id\":\"https:\\\/\\\/kind-gauss.54-72-4-134.plesk.page\\\/#\\\/schema\\\/person\\\/79fb5b596d92657075d42dbe34ce68e1\"},\"headline\":\"Audrey Rose tras los inquietantes pasos de El exorcista\",\"datePublished\":\"2026-09-01T08:48:06+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/kind-gauss.54-72-4-134.plesk.page\\\/?p=27004\"},\"wordCount\":673,\"image\":{\"@id\":\"https:\\\/\\\/kind-gauss.54-72-4-134.plesk.page\\\/?p=27004#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/cinerama.es\\\/wp-content\\\/uploads\\\/2026\\\/09\\\/images.jpg\",\"articleSection\":[\"Streaming News\"],\"inLanguage\":\"es\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/kind-gauss.54-72-4-134.plesk.page\\\/?p=27004\",\"url\":\"https:\\\/\\\/kind-gauss.54-72-4-134.plesk.page\\\/?p=27004\",\"name\":\"Audrey Rose tras los inquietantes pasos de El exorcista - Cinerama (desarrollo)\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/kind-gauss.54-72-4-134.plesk.page\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/kind-gauss.54-72-4-134.plesk.page\\\/?p=27004#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/kind-gauss.54-72-4-134.plesk.page\\\/?p=27004#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/cinerama.es\\\/wp-content\\\/uploads\\\/2026\\\/09\\\/images.jpg\",\"datePublished\":\"2026-09-01T08:48:06+00:00\",\"author\":{\"@id\":\"https:\\\/\\\/kind-gauss.54-72-4-134.plesk.page\\\/#\\\/schema\\\/person\\\/79fb5b596d92657075d42dbe34ce68e1\"},\"description\":\"El exorcista (1973), Las dos vidas de Audrey Rose (1977) Marsha Mason (1942), Ellen Burstyn. Amenaza en la sombra (Don\u2019t Look Now) (1973)\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/kind-gauss.54-72-4-134.plesk.page\\\/?p=27004#breadcrumb\"},\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/kind-gauss.54-72-4-134.plesk.page\\\/?p=27004\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/kind-gauss.54-72-4-134.plesk.page\\\/?p=27004#primaryimage\",\"url\":\"https:\\\/\\\/cinerama.es\\\/wp-content\\\/uploads\\\/2026\\\/09\\\/images.jpg\",\"contentUrl\":\"https:\\\/\\\/cinerama.es\\\/wp-content\\\/uploads\\\/2026\\\/09\\\/images.jpg\",\"width\":757,\"height\":405},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/kind-gauss.54-72-4-134.plesk.page\\\/?p=27004#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Inicio\",\"item\":\"https:\\\/\\\/kind-gauss.54-72-4-134.plesk.page\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Audrey Rose tras los inquietantes pasos de El exorcista\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/kind-gauss.54-72-4-134.plesk.page\\\/#website\",\"url\":\"https:\\\/\\\/kind-gauss.54-72-4-134.plesk.page\\\/\",\"name\":\"Cinerama (desarrollo)\",\"description\":\"\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/kind-gauss.54-72-4-134.plesk.page\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"es\"},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/kind-gauss.54-72-4-134.plesk.page\\\/#\\\/schema\\\/person\\\/79fb5b596d92657075d42dbe34ce68e1\",\"name\":\"Alfonso As\u00faa\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/afb22188220627c2f3251db7c853bccda72a2322d9c63b3a1c8e862ab2d68288?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/afb22188220627c2f3251db7c853bccda72a2322d9c63b3a1c8e862ab2d68288?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/afb22188220627c2f3251db7c853bccda72a2322d9c63b3a1c8e862ab2d68288?s=96&d=mm&r=g\",\"caption\":\"Alfonso As\u00faa\"},\"url\":\"https:\\\/\\\/kind-gauss.54-72-4-134.plesk.page\\\/?author=3\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Audrey Rose tras los inquietantes pasos de El exorcista - Cinerama (desarrollo)","description":"El exorcista (1973), Las dos vidas de Audrey Rose (1977) Marsha Mason (1942), Ellen Burstyn. Amenaza en la sombra (Don\u2019t Look Now) (1973)","robots":{"index":"noindex","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"og_locale":"es_ES","og_type":"article","og_title":"Audrey Rose tras los inquietantes pasos de El exorcista - Cinerama (desarrollo)","og_description":"El exorcista (1973), Las dos vidas de Audrey Rose (1977) Marsha Mason (1942), Ellen Burstyn. Amenaza en la sombra (Don\u2019t Look Now) (1973)","og_url":"https:\/\/kind-gauss.54-72-4-134.plesk.page\/?p=27004","og_site_name":"Cinerama (desarrollo)","article_published_time":"2026-09-01T08:48:06+00:00","og_image":[{"width":757,"height":405,"url":"https:\/\/cinerama.es\/wp-content\/uploads\/2026\/09\/images.jpg","type":"image\/jpeg"}],"author":"Alfonso As\u00faa","twitter_card":"summary_large_image","twitter_misc":{"Escrito por":"Alfonso As\u00faa","Tiempo de lectura":"4 minutos"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/kind-gauss.54-72-4-134.plesk.page\/?p=27004#article","isPartOf":{"@id":"https:\/\/kind-gauss.54-72-4-134.plesk.page\/?p=27004"},"author":{"name":"Alfonso As\u00faa","@id":"https:\/\/kind-gauss.54-72-4-134.plesk.page\/#\/schema\/person\/79fb5b596d92657075d42dbe34ce68e1"},"headline":"Audrey Rose tras los inquietantes pasos de El exorcista","datePublished":"2026-09-01T08:48:06+00:00","mainEntityOfPage":{"@id":"https:\/\/kind-gauss.54-72-4-134.plesk.page\/?p=27004"},"wordCount":673,"image":{"@id":"https:\/\/kind-gauss.54-72-4-134.plesk.page\/?p=27004#primaryimage"},"thumbnailUrl":"https:\/\/cinerama.es\/wp-content\/uploads\/2026\/09\/images.jpg","articleSection":["Streaming News"],"inLanguage":"es"},{"@type":"WebPage","@id":"https:\/\/kind-gauss.54-72-4-134.plesk.page\/?p=27004","url":"https:\/\/kind-gauss.54-72-4-134.plesk.page\/?p=27004","name":"Audrey Rose tras los inquietantes pasos de El exorcista - Cinerama (desarrollo)","isPartOf":{"@id":"https:\/\/kind-gauss.54-72-4-134.plesk.page\/#website"},"primaryImageOfPage":{"@id":"https:\/\/kind-gauss.54-72-4-134.plesk.page\/?p=27004#primaryimage"},"image":{"@id":"https:\/\/kind-gauss.54-72-4-134.plesk.page\/?p=27004#primaryimage"},"thumbnailUrl":"https:\/\/cinerama.es\/wp-content\/uploads\/2026\/09\/images.jpg","datePublished":"2026-09-01T08:48:06+00:00","author":{"@id":"https:\/\/kind-gauss.54-72-4-134.plesk.page\/#\/schema\/person\/79fb5b596d92657075d42dbe34ce68e1"},"description":"El exorcista (1973), Las dos vidas de Audrey Rose (1977) Marsha Mason (1942), Ellen Burstyn. Amenaza en la sombra (Don\u2019t Look Now) (1973)","breadcrumb":{"@id":"https:\/\/kind-gauss.54-72-4-134.plesk.page\/?p=27004#breadcrumb"},"inLanguage":"es","potentialAction":[{"@type":"ReadAction","target":["https:\/\/kind-gauss.54-72-4-134.plesk.page\/?p=27004"]}]},{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/kind-gauss.54-72-4-134.plesk.page\/?p=27004#primaryimage","url":"https:\/\/cinerama.es\/wp-content\/uploads\/2026\/09\/images.jpg","contentUrl":"https:\/\/cinerama.es\/wp-content\/uploads\/2026\/09\/images.jpg","width":757,"height":405},{"@type":"BreadcrumbList","@id":"https:\/\/kind-gauss.54-72-4-134.plesk.page\/?p=27004#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Inicio","item":"https:\/\/kind-gauss.54-72-4-134.plesk.page\/"},{"@type":"ListItem","position":2,"name":"Audrey Rose tras los inquietantes pasos de El exorcista"}]},{"@type":"WebSite","@id":"https:\/\/kind-gauss.54-72-4-134.plesk.page\/#website","url":"https:\/\/kind-gauss.54-72-4-134.plesk.page\/","name":"Cinerama (desarrollo)","description":"","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/kind-gauss.54-72-4-134.plesk.page\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"es"},{"@type":"Person","@id":"https:\/\/kind-gauss.54-72-4-134.plesk.page\/#\/schema\/person\/79fb5b596d92657075d42dbe34ce68e1","name":"Alfonso As\u00faa","image":{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/secure.gravatar.com\/avatar\/afb22188220627c2f3251db7c853bccda72a2322d9c63b3a1c8e862ab2d68288?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/afb22188220627c2f3251db7c853bccda72a2322d9c63b3a1c8e862ab2d68288?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/afb22188220627c2f3251db7c853bccda72a2322d9c63b3a1c8e862ab2d68288?s=96&d=mm&r=g","caption":"Alfonso As\u00faa"},"url":"https:\/\/kind-gauss.54-72-4-134.plesk.page\/?author=3"}]}},"_links":{"self":[{"href":"https:\/\/kind-gauss.54-72-4-134.plesk.page\/index.php?rest_route=\/wp\/v2\/posts\/27004","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kind-gauss.54-72-4-134.plesk.page\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kind-gauss.54-72-4-134.plesk.page\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kind-gauss.54-72-4-134.plesk.page\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/kind-gauss.54-72-4-134.plesk.page\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=27004"}],"version-history":[{"count":0,"href":"https:\/\/kind-gauss.54-72-4-134.plesk.page\/index.php?rest_route=\/wp\/v2\/posts\/27004\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kind-gauss.54-72-4-134.plesk.page\/index.php?rest_route=\/wp\/v2\/media\/27009"}],"wp:attachment":[{"href":"https:\/\/kind-gauss.54-72-4-134.plesk.page\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=27004"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kind-gauss.54-72-4-134.plesk.page\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=27004"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kind-gauss.54-72-4-134.plesk.page\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=27004"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}