{"id":25354,"date":"2026-05-14T16:32:48","date_gmt":"2026-05-14T14:32:48","guid":{"rendered":"https:\/\/cinerama.es\/?p=25354"},"modified":"2026-05-14T16:32:48","modified_gmt":"2026-05-14T14:32:48","slug":"el-hombre-que-hacia-cine-para-las-marcas-cuando-la-vida-era-buena","status":"publish","type":"post","link":"https:\/\/kind-gauss.54-72-4-134.plesk.page\/?p=25354","title":{"rendered":"El hombre que hac\u00eda cine para las marcas cuando la vida era buena"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Se celebra el 40 aniversario de<strong> Top Gun,<\/strong> el cl\u00e1sico que se estren\u00f3 en los cines americanos el 16 de mayo de 1986. Un motivo como otro cualquiera para hablar de <strong>Tony Scott, <\/strong>uno de los directores m\u00e1s infravalorados de la historia del cine reciente (el otro podr\u00eda ser su hermano <strong>Ridley<\/strong>).<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"678\" height=\"1024\" src=\"https:\/\/cinerama.es\/wp-content\/uploads\/2026\/05\/hunger_xlg-678x1024.jpg\" alt=\"\" class=\"wp-image-25554\" srcset=\"https:\/\/cinerama.es\/wp-content\/uploads\/2026\/05\/hunger_xlg-678x1024.jpg 678w, https:\/\/cinerama.es\/wp-content\/uploads\/2026\/05\/hunger_xlg-199x300.jpg 199w, https:\/\/cinerama.es\/wp-content\/uploads\/2026\/05\/hunger_xlg-768x1160.jpg 768w, https:\/\/cinerama.es\/wp-content\/uploads\/2026\/05\/hunger_xlg-301x454.jpg 301w, https:\/\/cinerama.es\/wp-content\/uploads\/2026\/05\/hunger_xlg.jpg 993w\" sizes=\"auto, (max-width: 678px) 100vw, 678px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\"><strong>Tony Scott <\/strong>se quit\u00f3 la vida a los 68 a\u00f1os&nbsp;el 19 de agosto de 2012 saltando desde el puente colgante Vincent Thomas en San Pedro, Los Angeles. Su legado para los amantes del cine se resume en 16 largometrajes y miles de anuncios comerciales, la mayor\u00eda para la empresa RSA (Ridley Scott Associates), entre principios de la d\u00e9cada de 1970 y principios de la de 1980. Si la Academia de Hollywood premi\u00f3 con el Oscar a la mejor pel\u00edcula del a\u00f1o 2000 a <strong>Gladiator<\/strong>, pero ignor\u00f3 a <strong>Ridley Scott<\/strong> como mejor director, no es de extra\u00f1ar que Tony Scott fuera tambi\u00e9n invisible para eso de los premios a lo largo de sus casi 30 a\u00f1os de carrera.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">La primera fue <strong>El Ansia (The Hunger)<\/strong> (1983), una de vampiros con el insuperable tr\u00edo formado por <strong>Catherine Deneuve, David Bowie <\/strong>y <strong>Susan Sarandon<\/strong>, que marc\u00f3 una \u00e9poca, pero fue vapuleada por la cr\u00edtica. Ahora es un cl\u00e1sico y provoca reverencias, algo que suele ocurrir, lo de recibir buenas cr\u00edticas con una d\u00e9cada de retraso, con todos los largometrajes de <strong>Tony Scott <\/strong>(y con los de su hermano). Su segundo largometraje fue <strong>Top Gun<\/strong> (1986) y la industria le abri\u00f3 las puertas de par en par. <strong>Revenge (Venganza)<\/strong> (1990) es una maravilla, con otro tr\u00edo inolvidable,<strong> Kevin Costner, Madeleine Stowe<\/strong> y<strong> Anthony Quinn<\/strong>. <strong>El \u00faltimo Boy Scott<\/strong> (1991), con guion de <strong>Shane Blac<\/strong>k, tiene frases memorables (\u201cvoy al cuarto de ba\u00f1o, \u00bfme acompa\u00f1as?, el m\u00e9dico no me dejar levantar cosas pesadas\u201d) y con<strong> Amor a quemarropa (True Romance)<\/strong> (1993) comienza el universo cinematogr\u00e1fico de Tarantino, el primer guion del cineasta que <strong>Tony Scott<\/strong> mejor\u00f3 en su salto al cine. <\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"509\" height=\"755\" src=\"https:\/\/cinerama.es\/wp-content\/uploads\/2026\/05\/revenge.jpg\" alt=\"\" class=\"wp-image-25356\" srcset=\"https:\/\/cinerama.es\/wp-content\/uploads\/2026\/05\/revenge.jpg 509w, https:\/\/cinerama.es\/wp-content\/uploads\/2026\/05\/revenge-202x300.jpg 202w, https:\/\/cinerama.es\/wp-content\/uploads\/2026\/05\/revenge-306x454.jpg 306w\" sizes=\"auto, (max-width: 509px) 100vw, 509px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">En <strong>Marea roja (Crimson Tide)<\/strong> (1995) consigui\u00f3 un thriller lleno de tensi\u00f3n ambientado en las entra\u00f1as de un submarino (algo parecido hab\u00eda hecho su hermano Ridley con <strong>Alien<\/strong>) y con dos gigantes frente a frente (<strong>Gene Hackman<\/strong> y <strong>Denzel Washington<\/strong>). Luego llegar\u00edan una sucesi\u00f3n de cintas de esp\u00edas y acci\u00f3n protagonizadas por gente tan recomendable como <strong>Robert De Niro<\/strong> en plan psic\u00f3pata obsesivo <strong>(The Fan<\/strong>), <strong>Will Smith <\/strong>rodeado de cientos de c\u00e1maras<strong> (Enemigo p\u00fablico<\/strong>), <strong>Robert Redford<\/strong> pas\u00e1ndole el testigo a <strong>Brad Pitt <\/strong>(<strong>Spy Game<\/strong>), <strong>Denzel Washington<\/strong> viviendo <strong>El fuego de la venganza<\/strong> (2004) y un continuo <strong>D\u00e9j\u00e0 vu <\/strong>(2006) y <strong>Keira Knightley<\/strong> transformada en <strong>Domino<\/strong> Harvey, hija del actor Laurence Harvey, que dej\u00f3 su carrera como modelo para convertirse en cazarrecompensas.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"690\" height=\"1024\" src=\"https:\/\/cinerama.es\/wp-content\/uploads\/2026\/05\/crimson_tide_xlg-690x1024.jpg\" alt=\"\" class=\"wp-image-25357\" srcset=\"https:\/\/cinerama.es\/wp-content\/uploads\/2026\/05\/crimson_tide_xlg-690x1024.jpg 690w, https:\/\/cinerama.es\/wp-content\/uploads\/2026\/05\/crimson_tide_xlg-202x300.jpg 202w, https:\/\/cinerama.es\/wp-content\/uploads\/2026\/05\/crimson_tide_xlg-768x1139.jpg 768w, https:\/\/cinerama.es\/wp-content\/uploads\/2026\/05\/crimson_tide_xlg-306x454.jpg 306w, https:\/\/cinerama.es\/wp-content\/uploads\/2026\/05\/crimson_tide_xlg.jpg 1011w\" sizes=\"auto, (max-width: 690px) 100vw, 690px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">Eso en el cine, pero<strong> Tony Scott<\/strong> tambi\u00e9n tiene una carrera como realizador de spots. Su hermano y \u00e9l son los maestros en ese campo, que tambi\u00e9n es cine, cortos que son como obras maestras y que suelen ser mejores que algunos largos de algunos directores. Por ejemplo, el cortometraje <strong>Apple: Lemmings<\/strong> (1985), por el que la marca pag\u00f3 900 000 d\u00f3lares por emitirse 30 segundos durante la Super Bowl. <\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"692\" height=\"1024\" src=\"https:\/\/cinerama.es\/wp-content\/uploads\/2026\/05\/fan_xlg-692x1024.jpg\" alt=\"\" class=\"wp-image-25358\" srcset=\"https:\/\/cinerama.es\/wp-content\/uploads\/2026\/05\/fan_xlg-692x1024.jpg 692w, https:\/\/cinerama.es\/wp-content\/uploads\/2026\/05\/fan_xlg-203x300.jpg 203w, https:\/\/cinerama.es\/wp-content\/uploads\/2026\/05\/fan_xlg-768x1137.jpg 768w, https:\/\/cinerama.es\/wp-content\/uploads\/2026\/05\/fan_xlg-307x454.jpg 307w, https:\/\/cinerama.es\/wp-content\/uploads\/2026\/05\/fan_xlg.jpg 1013w\" sizes=\"auto, (max-width: 692px) 100vw, 692px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\"><strong>Sundae Kibon: Basic Ice Cream<\/strong> (1995), lo protagonizaba <strong>Sharon Stone<\/strong> en su mejor momento profesional porque ese a\u00f1o la actriz tambi\u00e9n estrenaba <strong>Casino <\/strong>y recib\u00eda la \u00fanica nominaci\u00f3n al Oscar de su carrera. <strong>Telecom Italia,<\/strong> con Marlon Brando en el a\u00f1o 2000, fue un spot de la compa\u00f1\u00eda telef\u00f3nica italiana que formaba parte de la campa\u00f1a <em>Come vorresti che fosse il futuro? (\u00bfC\u00f3mo te gustar\u00eda que fuera el futuro?) <\/em>formada por cuatro anuncios en v\u00eddeo protagonizados por <strong>Marlon Brando, Leonardo Di Caprio<\/strong>, <strong>Woody Allen<\/strong> y <strong>Nelson Mandela.<\/strong><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"694\" height=\"1024\" src=\"https:\/\/cinerama.es\/wp-content\/uploads\/2026\/05\/spy_game_ver3_xlg-694x1024.jpg\" alt=\"\" class=\"wp-image-25359\" srcset=\"https:\/\/cinerama.es\/wp-content\/uploads\/2026\/05\/spy_game_ver3_xlg-694x1024.jpg 694w, https:\/\/cinerama.es\/wp-content\/uploads\/2026\/05\/spy_game_ver3_xlg-203x300.jpg 203w, https:\/\/cinerama.es\/wp-content\/uploads\/2026\/05\/spy_game_ver3_xlg-768x1133.jpg 768w, https:\/\/cinerama.es\/wp-content\/uploads\/2026\/05\/spy_game_ver3_xlg-308x454.jpg 308w, https:\/\/cinerama.es\/wp-content\/uploads\/2026\/05\/spy_game_ver3_xlg.jpg 999w\" sizes=\"auto, (max-width: 694px) 100vw, 694px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">Tony Scott era uno de los grandes. En la biograf\u00eda de <strong>Tom Cruise<\/strong> escrita por <strong>Andrew Morton<\/strong>, este nos cuenta c\u00f3mo lleg\u00f3 <strong>Top Gun<\/strong> a la vida del cineasta y el momento publicitario que fue clave en ese encuentro. El proyecto lo hab\u00edan rechazado directores cotizados como John Carpenter y David Cronenberg. Al final, los productores se fijaron en Tony Scott \u201cque por entonces estaba rodando anuncios publicitarios despu\u00e9s de que su pel\u00edcula <strong>El Ansia<\/strong> fuera destrozada por los cr\u00edticos. Sin embargo, su anuncio que mostraba un autom\u00f3vil Saab en una carrera contra un avi\u00f3n caza capt\u00f3 la atenci\u00f3n de los productores\u201d.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"692\" height=\"1024\" src=\"https:\/\/cinerama.es\/wp-content\/uploads\/2026\/05\/domino_xlg-692x1024.jpg\" alt=\"\" class=\"wp-image-25360\" srcset=\"https:\/\/cinerama.es\/wp-content\/uploads\/2026\/05\/domino_xlg-692x1024.jpg 692w, https:\/\/cinerama.es\/wp-content\/uploads\/2026\/05\/domino_xlg-203x300.jpg 203w, https:\/\/cinerama.es\/wp-content\/uploads\/2026\/05\/domino_xlg-768x1136.jpg 768w, https:\/\/cinerama.es\/wp-content\/uploads\/2026\/05\/domino_xlg-307x454.jpg 307w, https:\/\/cinerama.es\/wp-content\/uploads\/2026\/05\/domino_xlg.jpg 1014w\" sizes=\"auto, (max-width: 692px) 100vw, 692px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">Cuenta el escritor que durante el rodaje de <strong>Top Gun <\/strong>se dieron varios momentos memorables. Hay uno especial, una noche de fiesta con todo el equipo para celebrar el 23 cumplea\u00f1os de Tom Cruise. Acabaron todos en la piscina. \u201cEra una locura. Tom ten\u00eda a sus chicas all\u00ed y Kelly (McGillis) ten\u00eda a las suyas. Tony (Scott) ten\u00eda a all\u00ed a Brigitte (Nielsen)\u201d. El director ten\u00eda un affaire con la escultural actriz danesa, a la que hab\u00eda conocido durante el rodaje de <strong>Superdetective en Hollywood II<\/strong> (1987), dirigida por Scott. Brigitte estaba casada entonces con <strong>Sylvester Stallone<\/strong>. El asunto acab\u00f3 tambi\u00e9n con el matrimonio del director con Glynis Sanders.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"819\" height=\"1024\" src=\"https:\/\/cinerama.es\/wp-content\/uploads\/2026\/05\/TOP-GUN-40-819x1024.jpg\" alt=\"\" class=\"wp-image-25362\" srcset=\"https:\/\/cinerama.es\/wp-content\/uploads\/2026\/05\/TOP-GUN-40-819x1024.jpg 819w, https:\/\/cinerama.es\/wp-content\/uploads\/2026\/05\/TOP-GUN-40-240x300.jpg 240w, https:\/\/cinerama.es\/wp-content\/uploads\/2026\/05\/TOP-GUN-40-768x960.jpg 768w, https:\/\/cinerama.es\/wp-content\/uploads\/2026\/05\/TOP-GUN-40-1229x1536.jpg 1229w, https:\/\/cinerama.es\/wp-content\/uploads\/2026\/05\/TOP-GUN-40-1638x2048.jpg 1638w, https:\/\/cinerama.es\/wp-content\/uploads\/2026\/05\/TOP-GUN-40-363x454.jpg 363w, https:\/\/cinerama.es\/wp-content\/uploads\/2026\/05\/TOP-GUN-40.jpg 2000w\" sizes=\"auto, (max-width: 819px) 100vw, 819px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">Pese a todo, como dice Morton, \u201cla vida era buena durante el rodaje de <strong>Top Gun<\/strong> y estaba por ser much\u00edsimo mejor\u201d.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Se celebra el 40 aniversario de Top Gun, el cl\u00e1sico que se estren\u00f3 en los cines americanos el 16 de mayo de 1986. Un motivo como otro cualquiera\u2026<\/p>\n","protected":false},"author":3,"featured_media":25361,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-25354","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-anuncios-de-cine"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>El hombre que hac\u00eda cine para las marcas cuando la vida era buena - Cinerama (desarrollo)<\/title>\n<meta name=\"description\" content=\"Top Gun. Tony Scott. Spots publicidad. Tom Cruise. Ridley Scott. El Ansia. Amor a quemarropa. Marea Roja. 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