{"id":10739,"date":"2024-02-15T16:20:25","date_gmt":"2024-02-15T15:20:25","guid":{"rendered":"https:\/\/cinerama.es\/?p=10739"},"modified":"2024-02-15T16:20:25","modified_gmt":"2024-02-15T15:20:25","slug":"pinchazos-en-taquilla-el-genio-de-john-logan-y-un-giro-mas-para-twister-1996","status":"publish","type":"post","link":"https:\/\/kind-gauss.54-72-4-134.plesk.page\/pinchazos-en-taquilla-el-genio-de-john-logan-y-un-giro-mas-para-twister-1996\/","title":{"rendered":"Pinchazos en taquilla, el genio de John Logan y un giro m\u00e1s para Twister (1996)"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><em>Argylle<\/em> ha pinchado en la taquilla. Para los que esperaban algo m\u00e1s de esta historia sobre una escritora y su mundo de ficci\u00f3n haci\u00e9ndose realidad, que vean <em>C\u00f3mo destruir al m\u00e1s famoso agente secreto del mundo (Le Magnifique)<\/em> (1973), la divertida comedia de Philippe de Broca. Solo hay que quitar a Elly Conway (Bryce Dallas Howard) y poner al escritor Fran\u00e7ois Merlin (Jean-Paul Belmondo), que desaparezca el agente Argylle (Henry Cavill) y entre en acci\u00f3n su colega, el esp\u00eda Bob Saint Clair (Belmondo), y que salga el agente Aidan Wilde (Sam Rockwell) y llegue Tatiana (Jacqueline Bisset).<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"600\" src=\"https:\/\/cinerama.es\/wp-content\/uploads\/2024\/02\/ARGYLLE-DIARIO.jpg\" alt=\"\" class=\"wp-image-10741\" srcset=\"https:\/\/cinerama.es\/wp-content\/uploads\/2024\/02\/ARGYLLE-DIARIO.jpg 900w, https:\/\/cinerama.es\/wp-content\/uploads\/2024\/02\/ARGYLLE-DIARIO-300x200.jpg 300w, https:\/\/cinerama.es\/wp-content\/uploads\/2024\/02\/ARGYLLE-DIARIO-768x512.jpg 768w, https:\/\/cinerama.es\/wp-content\/uploads\/2024\/02\/ARGYLLE-DIARIO-681x454.jpg 681w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><figcaption class=\"wp-element-caption\">Bryce Dallas Howard en ARGYLLE<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Filmin tiene en su cat\u00e1logo una extra\u00f1a pel\u00edcula de terror que tiene el curioso t\u00edtulo de <em>Skinamarink<\/em>, rodada en siete d\u00edas en la casa de la madre del director Kyle Edward Ball, con un presupuesto de 15.000 d\u00f3lares y una recaudaci\u00f3n de m\u00e1s de 2 millones de d\u00f3lares. La historia del propio Ball es casi inexistente, porque s\u00f3lo vemos en una imagen granulada a dos ni\u00f1os peque\u00f1os en su casa, solos y pasando de habitaci\u00f3n en habitaci\u00f3n mientras una presencia sobrenatural se ha apoderado de los padres y, de paso, del espectador, desesperado ante tomas est\u00e1ticas, im\u00e1genes sostenidas en el tiempo, incorporando un sonido que no puedes entender. La pel\u00edcula es, parafraseando a Roger Ebert, pretenciosa y absurda m\u00e1s all\u00e1 de toda comprensi\u00f3n, incluso si no estuviera m\u00e1s all\u00e1 de toda comprensi\u00f3n, seguir\u00eda siendo pretenciosa y absurda.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Para m\u00e1s informaci\u00f3n, <em>Skinnamarink<\/em> es el t\u00edtulo de una canci\u00f3n popular de Estados Unidas para ni\u00f1os de preescolar llamada originalmente \u00abSkid-dy-mer-rink-adink-aboomp\u00bb o \u00abSkiddy-Mer-Rink-A-Doo\u00bb.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Y una canci\u00f3n que trae suerte porque parece ser que la poderosa compa\u00f1\u00eda cinematogr\u00e1fica 424 ha fichado a Kyle Edward Ball. Esta productora ha estado detr\u00e1s de <em>Moonlight<\/em> (2017) y <em>Todo a la vez en todas partes <\/em>(2022), ambas Oscar a la Mejor Pel\u00edcula.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"750\" height=\"500\" src=\"https:\/\/cinerama.es\/wp-content\/uploads\/2024\/02\/Skinamarink.jpg\" alt=\"\" class=\"wp-image-10742\" srcset=\"https:\/\/cinerama.es\/wp-content\/uploads\/2024\/02\/Skinamarink.jpg 750w, https:\/\/cinerama.es\/wp-content\/uploads\/2024\/02\/Skinamarink-300x200.jpg 300w, https:\/\/cinerama.es\/wp-content\/uploads\/2024\/02\/Skinamarink-681x454.jpg 681w\" sizes=\"auto, (max-width: 750px) 100vw, 750px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\"><em>El color p\u00farpura<\/em> (2023) fue n\u00famero uno en la taquilla americana el fin de semana de su estreno (25 de diciembre de 2023) y ha sido nominada a un Oscar, para la actriz de reparto Danielle Brooks, pero en Espa\u00f1a la pel\u00edcula no ha funcionado. No es buen resultado entrar en el puesto 14 de la taquilla ocupando un n\u00famero considerable de salas. Mejor le fue en n\u00fameros a la versi\u00f3n de Steven Spielberg, con casi 100 millones de d\u00f3lares de recaudaci\u00f3n en el mundo con un presupuesto de 15 millones. Era otra \u00e9poca, 1985, y otra sensibilidad para ir al cine. Aunque si hablamos de los Oscar, el tema fue un desastre. 11 nominaciones y ning\u00fan premio, lo que coloc\u00f3 a la pel\u00edcula en un triste r\u00e9cord. En la historia de los Oscar, <em>El color p\u00farpura<\/em> (1985) y <em>Paso decisivo (The Turning Point)<\/em> (1977) son las dos pel\u00edculas con mayor n\u00famero de candidaturas y cero galardones.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">John Logan, el extraordinario guionista y dramaturgo, prepara <em>Sue<\/em>, biopic de la agente Sue Mengers (1932-2011), la m\u00e1s conocida de su gremio y figura clave del llamado Nuevo Hollywood. Jennifer Lawrence est\u00e1 en el proyecto desde el principio, y en la direcci\u00f3n podr\u00edan estar el norteamericano Morgan Spurlock <em>(Super Size Me)<\/em> y el italiano Paolo Sorrentino<em> (La gran belleza)<\/em>, una extra\u00f1a pareja para esta historia sobre la otra cara de Hollywood basada en la obra de teatro del propio Logan<em> I\u2019ll Eat You Last: A Chat with Sue Mengers, <\/em>que estren\u00f3 en los escenarios Bette Midler. Mengers llev\u00f3 las carreras de, entre otros, Barbra Streisand, Burt Reynolds, Diana Ross, Ryan O&#8217;Neal, Ali McGraw, Michael Caine, Candice Bergen, Gene Hackman, Faye Dunaway, Cybill Shepherd, Sidney Lumet, Herbert Ross, William Friedkin, Peter Bogdanovich, Brian De Palma, Bob Fosse y Gore Vidal.\u00a0<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"765\" height=\"1024\" src=\"https:\/\/cinerama.es\/wp-content\/uploads\/2024\/02\/Sue-Mengers-765x1024.jpg\" alt=\"\" class=\"wp-image-10743\" srcset=\"https:\/\/cinerama.es\/wp-content\/uploads\/2024\/02\/Sue-Mengers-765x1024.jpg 765w, https:\/\/cinerama.es\/wp-content\/uploads\/2024\/02\/Sue-Mengers-224x300.jpg 224w, https:\/\/cinerama.es\/wp-content\/uploads\/2024\/02\/Sue-Mengers-768x1028.jpg 768w, https:\/\/cinerama.es\/wp-content\/uploads\/2024\/02\/Sue-Mengers-339x454.jpg 339w, https:\/\/cinerama.es\/wp-content\/uploads\/2024\/02\/Sue-Mengers.jpg 800w\" sizes=\"auto, (max-width: 765px) 100vw, 765px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">Recordemos que Logan es uno de los grandes y puede con todo, el cine dentro del cine<em> (RKO 281. <\/em>1999), James Bond<em> (Skyfall.<\/em> 2012 y <em>Spectre<\/em>. 2015), el musical <em>(Sweeney Todd. <\/em>2007), el cine de animaci\u00f3n<em> (Simbad.<\/em> 2003, <em>Rango<\/em>. 2011), la aventura \u00e9pica<em> (El ultimo Samur\u00e1i. <\/em>2003) y la television, con la magn\u00edfica serie <em>Penny Dreadful<\/em> (2014-2016). Ha estado nominado al Oscar en tres ocasiones, por <em>Gladiator<\/em> (2000), <em>The Aviator<\/em> (2004) y<em> La invenci\u00f3n de Hugo<\/em> (2011).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ahora que ya est\u00e1 terminada una revision, actualizaci\u00f3n o remake, como quieran llamarla, de <em>Twister<\/em> (1996), nos enteramos de que Bill Paxton intent\u00f3 sacar adelante una secuela durante a\u00f1os. El actor, que muri\u00f3 el 25 de febrero de 2017 a los 61 a\u00f1os tras someterse a una compleja cirug\u00eda, debut\u00f3 como director con el thriller psicol\u00f3gico <em>Frailty (Escalofr\u00edo)<\/em> (2001), y quer\u00eda seguir por ese camino con una historia basada en hechos reales sobre el llamado \u00abtornado tri estatal\u00bb, que pas\u00f3 por tres estados, Misuri, Illinois e Indiana, el 18 de marzo de 1925, el m\u00e1s mort\u00edfero en la historia de Estados Unidos que se cobr\u00f3 la vida de 751 personas.\u00a0<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Paxton, con la ayuda del productor James Cameron, tambi\u00e9n quer\u00eda que la pel\u00edcula tuviera una clasificaci\u00f3n R y mantuviera una descripci\u00f3n realista de los da\u00f1os que causan los tornados reales. El proyecto fue cancelado debido a problemas de presupuesto y, a\u00f1os despu\u00e9s, por la muerte de Paxton.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/cinerama.es\/wp-content\/uploads\/2024\/02\/Twister-1024x576.jpg\" alt=\"\" class=\"wp-image-10744\" srcset=\"https:\/\/cinerama.es\/wp-content\/uploads\/2024\/02\/Twister-1024x576.jpg 1024w, https:\/\/cinerama.es\/wp-content\/uploads\/2024\/02\/Twister-300x169.jpg 300w, https:\/\/cinerama.es\/wp-content\/uploads\/2024\/02\/Twister-768x432.jpg 768w, https:\/\/cinerama.es\/wp-content\/uploads\/2024\/02\/Twister-1536x864.jpg 1536w, https:\/\/cinerama.es\/wp-content\/uploads\/2024\/02\/Twister-807x454.jpg 807w, https:\/\/cinerama.es\/wp-content\/uploads\/2024\/02\/Twister.jpg 1920w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">Tambi\u00e9n Helen Hunt present\u00f3 la idea de una secuela a Universal en julio de 2020, con una historia sobre un equipo cient\u00edfico de una universidad de Oklahoma que usa sus inventos para detener tornados. Hunt, que quer\u00eda dirigirla ella misma y protagonizarla junto a Daveed Diggs, dijo que su idea entr\u00f3 en una etapa de desarrollo, pero fue descartada y cancelada en 2020.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Argylle ha pinchado en la taquilla. Para los que esperaban algo m\u00e1s de esta historia sobre una escritora y su mundo de ficci\u00f3n haci\u00e9ndose realidad, que vean C\u00f3mo\u2026<\/p>\n","protected":false},"author":3,"featured_media":10740,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[11],"tags":[32,33],"class_list":["post-10739","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ver-para-creer","tag-no-kinenews","tag-no-odeonnews"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Pinchazos en taquilla, el genio de John Logan y un giro m\u00e1s para Twister (1996) - Cinerama (desarrollo)<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Pinchazos en taquilla, el genio de John Logan y un giro m\u00e1s para Twister (1996) - Cinerama (desarrollo)\" \/>\n<meta property=\"og:description\" content=\"Argylle ha pinchado en la taquilla. Para los que esperaban algo m\u00e1s de esta historia sobre una escritora y su mundo de ficci\u00f3n haci\u00e9ndose realidad, que vean C\u00f3mo\u2026\" \/>\n<meta property=\"og:url\" content=\"https:\/\/kind-gauss.54-72-4-134.plesk.page\/pinchazos-en-taquilla-el-genio-de-john-logan-y-un-giro-mas-para-twister-1996\/\" \/>\n<meta property=\"og:site_name\" content=\"Cinerama (desarrollo)\" \/>\n<meta property=\"article:published_time\" content=\"2024-02-15T15:20:25+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/cinerama.es\/wp-content\/uploads\/2024\/02\/El-color-Purpura.jpeg\" \/>\n\t<meta property=\"og:image:width\" content=\"900\" \/>\n\t<meta property=\"og:image:height\" content=\"600\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Alfonso As\u00faa\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"Alfonso As\u00faa\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"6 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/kind-gauss.54-72-4-134.plesk.page\\\/pinchazos-en-taquilla-el-genio-de-john-logan-y-un-giro-mas-para-twister-1996\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/kind-gauss.54-72-4-134.plesk.page\\\/pinchazos-en-taquilla-el-genio-de-john-logan-y-un-giro-mas-para-twister-1996\\\/\"},\"author\":{\"name\":\"Alfonso As\u00faa\",\"@id\":\"https:\\\/\\\/kind-gauss.54-72-4-134.plesk.page\\\/#\\\/schema\\\/person\\\/79fb5b596d92657075d42dbe34ce68e1\"},\"headline\":\"Pinchazos en taquilla, el genio de John Logan y un giro m\u00e1s para Twister (1996)\",\"datePublished\":\"2024-02-15T15:20:25+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/kind-gauss.54-72-4-134.plesk.page\\\/pinchazos-en-taquilla-el-genio-de-john-logan-y-un-giro-mas-para-twister-1996\\\/\"},\"wordCount\":962,\"image\":{\"@id\":\"https:\\\/\\\/kind-gauss.54-72-4-134.plesk.page\\\/pinchazos-en-taquilla-el-genio-de-john-logan-y-un-giro-mas-para-twister-1996\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/cinerama.es\\\/wp-content\\\/uploads\\\/2024\\\/02\\\/El-color-Purpura.jpeg\",\"keywords\":[\"No para Kinenews\",\"No para Odeonnews\"],\"articleSection\":[\"Ver para creer\"],\"inLanguage\":\"es\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/kind-gauss.54-72-4-134.plesk.page\\\/pinchazos-en-taquilla-el-genio-de-john-logan-y-un-giro-mas-para-twister-1996\\\/\",\"url\":\"https:\\\/\\\/kind-gauss.54-72-4-134.plesk.page\\\/pinchazos-en-taquilla-el-genio-de-john-logan-y-un-giro-mas-para-twister-1996\\\/\",\"name\":\"Pinchazos en taquilla, el genio de John Logan y un giro m\u00e1s para Twister (1996) - 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